
Xerxes 1993
The impassioned pursuit of a hot-tempered young king…
…for his brother’s betrothed is thwarted in Handel’s baroque classic of love prevailing. Experience history coming to life as Xerxes’ relentless schemes of forged letters and disguises backfire. Undeserving yet repentant, the imperious king learns unexpected lessons about ultimate devotion.
Synopsis
Act I
Xerxes, the young king, ripe for love, directs his amorous attentions to a favorite tree. His brother, Arsamene, sneaks past with his servant Elviro, en route to woo his secret love, Romilda.
Romilda sings a song from her balcony, mocking Xerxes’ passion for the tree, galvanizing both brothers, who stumble upon each other. Arsamene pretends ignorance of the singer. Xerxes, a headstrong and hot-tempered young man, decides to pursue Romilda and, sensing Arsamene’s discomfort, declares that his brother must tell Romilda the good news, then exits. Arsamene wavers between confidence in Romilda’s loyalty to him and fear of his brother’s willfulness. Romilda reassures him.
Enter Atalanta, Romilda’s sister, also ripe for love. She directs her amorous attentions to Arsamene. This annoys Romilda. Xerxes returns to claim Romilda as his bride; he is blunt and charmless. He goads Arsamene, realizes his brother is his rival, and banishes him. Suddenly young love is no longer innocent; the stakes rise. Xerxes begins his relentless and sometimes cruel courtship of Romilda, who is distraught and turns a deaf ear to him. She quiets her fear with a solitary vow of constancy.
Enter Amastre, a foreign princess betrothed to Xerxes. She has heard nothing from her fiancé and has come, disguised as a man, to find out why. Enter Ariodate, father of Romilda and Atalanta, soon joined by Xerxes. Amastre hides. Xerxes tells Ariodate that Romilda will soon be wed into the royal family, to someone “equal to Xerxes.” Ariodate expresses delight and gratitude.
Xerxes, believing he is alone, voices his desire for Romilda. Amastre, outraged, almost reveals her identity but cannot bring herself to confront Xerxes. She listens sadly as he daydreams ecstatically about love. When Xerxes wanders off she also overhears a conversation between Arsamene and Elviro, who have crept back with a letter for Romilda. Arsamene orders Elviro to find a way to remain near the house until an opportunity arises to deliver the letter. Amastre, having observed Xerxes’ passion and Arsamene’s resultant misery, angrily determines to revenge herself on Xerxes.
Atalanta preys on Romilda (who is credulous and touchy since Arsamene left), insinuating that Arsamene already loves someone new. Romilda sees through her sister’s ploy and vigorously warns her not to pursue Arsamene. But Atalanta is perversely determined to drive a wedge between the lovers. She considers other strategies and takes delight in reviewing her various talents.
Artists

Frederica von Stade
Mezzo-soprano
Xerxes

Brian Asawa
Countertenor
Arsamene

George Hogan
Bass
Elviro

Dawn Upshaw
Soprano
Romilda

Erie Mills
Soprano
Atalanta

Mimi Lerner
Mezzo-soprano
Amastre

Kevin Langan
Bass
Ariodate

Kenneth Montgomery
Conductor

Stephen Wadsworth
Director

Thomas Lynch
Scenic Designer

Martin Pakledinaz
Costume Designer

Peter Kaczorowski
Lighting Designer

Gary Wedow
Chorus Master