Xerxes 1993
The impassioned pursuit of a hot-tempered young king…
…for his brother’s betrothed is thwarted in Handel’s baroque classic of love prevailing. Experience history coming to life as Xerxes’ relentless schemes of forged letters and disguises backfire. Undeserving yet repentant, the imperious king learns unexpected lessons about ultimate devotion.
Synopsis
Act I
Xerxes, the young king, ripe for love, directs his amorous attentions to a favorite tree. His brother, Arsamene, sneaks past with his servant Elviro, en route to woo his secret love, Romilda.
Romilda sings a song from her balcony, mocking Xerxes’ passion for the tree, galvanizing both brothers, who stumble upon each other. Arsamene pretends ignorance of the singer. Xerxes, a headstrong and hot-tempered young man, decides to pursue Romilda and, sensing Arsamene’s discomfort, declares that his brother must tell Romilda the good news, then exits. Arsamene wavers between confidence in Romilda’s loyalty to him and fear of his brother’s willfulness. Romilda reassures him.
Enter Atalanta, Romilda’s sister, also ripe for love. She directs her amorous attentions to Arsamene. This annoys Romilda. Xerxes returns to claim Romilda as his bride; he is blunt and charmless. He goads Arsamene, realizes his brother is his rival, and banishes him. Suddenly young love is no longer innocent; the stakes rise. Xerxes begins his relentless and sometimes cruel courtship of Romilda, who is distraught and turns a deaf ear to him. She quiets her fear with a solitary vow of constancy.
Enter Amastre, a foreign princess betrothed to Xerxes. She has heard nothing from her fiancé and has come, disguised as a man, to find out why. Enter Ariodate, father of Romilda and Atalanta, soon joined by Xerxes. Amastre hides. Xerxes tells Ariodate that Romilda will soon be wed into the royal family, to someone “equal to Xerxes.” Ariodate expresses delight and gratitude.
Xerxes, believing he is alone, voices his desire for Romilda. Amastre, outraged, almost reveals her identity but cannot bring herself to confront Xerxes. She listens sadly as he daydreams ecstatically about love. When Xerxes wanders off she also overhears a conversation between Arsamene and Elviro, who have crept back with a letter for Romilda. Arsamene orders Elviro to find a way to remain near the house until an opportunity arises to deliver the letter. Amastre, having observed Xerxes’ passion and Arsamene’s resultant misery, angrily determines to revenge herself on Xerxes.
Atalanta preys on Romilda (who is credulous and touchy since Arsamene left), insinuating that Arsamene already loves someone new. Romilda sees through her sister’s ploy and vigorously warns her not to pursue Arsamene. But Atalanta is perversely determined to drive a wedge between the lovers. She considers other strategies and takes delight in reviewing her various talents.
Act II
Elviro, dressed as a flower seller, Arsamene’s letter in hand, haunts the road outside Romilda’s house awaiting his moment. Amastre engages him in conversation and learns that Romilda does not love Xerxes though Xerxes remains obsessed with Romilda. Amastre leaves in a huff.
Atalanta is Elviro’s next customer; when she recognizes him she takes the letter and promises to deliver it to Romilda directly. She tells a lie: Romilda is at that moment writing a love letter to the king. Appalled, Elviro leaves in a huff.
The letter now passes from Atalanta to Xerxes: she says it is from Arsamene to her (another lie). Xerxes, delighted to hear that Arsamene does not love Romilda, agrees to marry Atalanta to his brother at his earliest convenience. Atalanta tells yet another lie: Arsamene will persist in declaring that he loves Romilda, but it isn’t true – “he pretends he loves her so she won’t suspect that we are …”
Xerxes now shows Romilda Arsamene’s letter, and Romilda believes herself betrayed. To Xerxes she says she will always love Arsamene; to herself she says she will not. She suffers terrible jealousy and anger at Arsamene’s betrayal.
And Amastre suffers terribly at Xerxes’ betrayal. Elviro prevents her from harming herself, and she decides finally to confront Xerxes.
Elviro reports Atalanta’s lie to Arsamene: Romilda loves the king. Master laments, servant comforts.
Xerxes embraces Arsamene with the news that they’ll both be wed to the women they love, and they are friends again … until Arsamene discovers that Xerxes still wants Romilda. Xerxes finds Arsamene’s persistent declarations of love for Romilda hilarious: it’s just as Atalanta predicted! Eventually Arsamene convinces Xerxes that he does not love Atalanta, and Xerxes whirls furiously on Atalanta and tells her to quit her conniving and find someone else to love. But Atalanta, suddenly vulnerable, feels she may have come to love Arsamene truly.
Xerxes ponders the uncertainty of love.
Elviro finds refuge from his sadness in drink and falls asleep.
Xerxes and Amastre pine for their loves. Xerxes overhears Amastre curse the king, and the two lock swords, but Romilda forces them to disengage and admonishes them both: “The man who allows his confusion to rule him … no lover is he.”
Act III
Romilda and Arsamene argue heatedly then confront Atalanta with her lies, scorning her feeble excuses. Atalanta is shamed and hurt and stomps away.
Arsamene hides as Xerxes returns to pressure Romilda. He says he can and will, as king, force her to wed him. She says she will have to obey her king, and he leaves triumphant. Arsamene bursts out of hiding rebuking Romilda – how could she say what she said? They argue again. Their problems seem insurmountable. They separate, possibly forever.
Xerxes tells Ariodate that the promised royal wedding will occur within the hour, when someone of his family and equal to him appears to claim Romilda. Ariodate assumes Xerxes means Arsamene.
Romilda asks Amastre to carry a message to Arsamene – that she loves him only and that they must elope to save their love. Amastre, in return, asks Romilda to deliver a letter to Xerxes for her. In deciding to confront Xerxes, Amastre has recovered her dignity; she realizes she will be a victim only if she allows herself to be a victim. She goes off to find Arsamene. He enters from another direction to find Romilda with suitcases in her hands, but before she can explain they are again fighting bitterly.
Ariodate finds them and, before they can explain that they are fighting, marries them, “as per the king’s decree.” They are dumbfounded. Everyone is delighted except Xerxes, who returns in his wedding clothes, full of anticipatory glee, just after the ceremony. Ariodate must break the news to him. In addition, Amastre’s letter to Xerxes arrives. Xerxes flies into a rage.
He is now forced to come to terms with things as they really are, not as he would like them to be. He must acknowledge that Romilda and Arsamene are irrevocably married and meant for each other, and when Amastre confronts him he is terribly ashamed and asks her, with great gentleness, to stay. He has learned a lot from his impassioned pursuit of Romilda, though not what he expected, and all his longing for love is now transferred to someone who loves him. Atalanta is left without a lover, severely chastened by those she has deceived and much, much wiser.
Artists
Frederica von Stade
Mezzo-soprano
Xerxes
Frederica von Stade
Hometown: Somerville, NJ
SFO Debut:
Cherubino, The Marriage of Figaro, 1971
Past Seasons:
Xerxes, Xerxes, 1993
Chérubin, Chérubin, 1989
Mignon, Mignon, 1982
Zerlina, Don Giovanni, 1972
Mélisande, Pelléas et Mélisande, 1972
Maria, Yerma, 1971
Brian Asawa
Countertenor
Arsamene
Brian Asawa
Hometown: Fullerton, CA
SFO Debut:
Arsamene, Xerxes, 1993
George Hogan
Bass
Elviro
George Hogan
Hometown: Abilene, TX
SFO Debut:
Colline, La bohème, 1990
Past Seasons:
Elviro, Xerxes, 1993
High Priest, Judith, 1990
Dawn Upshaw
Soprano
Romilda
Dawn Upshaw
Hometown: Nashville, TN
SFO Debut:
Romilda, Xerxes, 1993
Past Seasons:
Margarita Xirgu, Ainadamar, 2005
Clémence, L’Amour de Loin, 2002
Erie Mills
Soprano
Atalanta
Erie Mills
Hometown: Granite City, IL
SFO Debut:
Carolina, Il matrimonio segreto, 1984
Past Seasons:
Anna, Intermezzo, 2003
Zerbinetta, Ariadne auf Naxos, 1999
Anna, Intermezzo, 1994
Atalanta, Xerxes, 1993
Italian Singer, Capriccio, 1993
Aminta, Die schweigsame Frau, 1991
Aminta, Die schweigsame Frau, 1987
Mimi Lerner
Mezzo-soprano
Amastre
Mimi Lerner
Hometown: Sambar, Poland
SFO Debut:
Carlotta, Die schweigsame Frau, 1991
Past Seasons:
Marcellina, The Marriage of Figaro, 1995
Third Lady, The Magic Flute, 1993
Amastre, Xerxes, 1993
Kevin Langan
Bass
Ariodate
Kevin Langan
Hometown: New York, NY
SFO Debut:
Opera Singer, Intermezzo, 1984
Past Seasons:
Timur, Turandot, 2005
Swallow, Peter Grimes, 2005
Dr. Bartolo, The Marriage of Figaro, 2000 (July 1 – August 5)
Cadmus/Somnus, Semele, 1997
Leporello, Don Giovanni, 1996
Henry Mosher, Emmeline, 1996
Dr. Bartolo, The Marriage of Figaro, 1995
Ashby, La fanciulla del West, 1995
Osmin, Abduction from the Seraglio, 1994
Opera Singer, Intermezzo, 1994
Colline, La bohème, 1993
Ariodate, Xerxes, 1993
Leporello, Don Giovanni, 1992
Ashby, La fanciulla del West, 1991
Giove, La Calisto, 1989
Dr. Bartolo, The Marriage of Figaro, 1987
King of Scotland, Ariodante, 1987
Sarastro, The Magic Flute, 1986
Seneca, L’incoronazione di Poppea, 1986
Doctor Bartolo, The Marriage of Figaro, 1985
Gonzalo, The Tempest, 1985
Kenneth Montgomery
Conductor
Kenneth Montgomery
Hometown: Belfast, United Kingdom
SFO Debut:
Mignon, 1982
Past Seasons:
The Impresario & Le Rossignol, 2014
Susan Graham and Friends Gala Concert, 2012
Alceste, 2009
The Marriage of Figaro, 2008
Daphne, 2007
Cendrillon, 2006
Anniversary Arias Gala Concert, 2006
The Barber of Seville, 2005
Beatrice and Benedict, 2004
La belle Hélène, 2003
Intermezzo, 2003
La clemenza di Tito, 2002
Mitridate, 2001
The Marriage of Figaro, 2000
Idomoneo, 1999
Così fan tutte, 1997
The Rake’s Progress, 1996
Abduction from the Seraglio, 1994
Xerxes, 1993
L’incoronazione di Poppea, 1986
Il matrimonio segreto, 1984
Stephen Wadsworth
Director
Stephen Wadsworth
Hometown: Mount Kisco, NY
SFO Debut:
Xerxes, 1993
Past Seasons:
Fidelio, 2014
King Roger, 2012
Ashoka’s Dream, 1997
Thomas Lynch
Scenic Designer
Thomas Lynch
Hometown: Asheville, NC
SFO Debut:
Xerxes, 1993
Previous Seasons:
King Roger, 2012
Ashoka’s Dream, 1997
Martin Pakledinaz
Costume Designer
Martin Pakledinaz
Hometown: Detroit, MI
SFO Debut:
Xerxes, 1993
Past Seasons:
Adriana Mater, 2008
L’Amour de Loin, 2002
Salome, 1998
Ashoka’s Dream, 1997
Salome, 1995
Peter Kaczorowski
Lighting Designer
Peter Kaczorowski
Hometown: Buffalo, NY
SFO Debut:
Eugene Onegin, 1980
Past Seasons:
Xerxes, 1993
Mignon, 1982
The Barber of Seville, 1981
Gary Wedow
Chorus Master
Gary Wedow
Hometown: La Porte, IN
SFO Debut:
1983 Season
Past Seasons:
1998 Season
1997 Season
1996 Season
1995 Season
1994 Season
1993 Season
1992 Season
1991 Season
1990 Season
1989 Season
1988 Season
1987 Season
1986 Season
1985 Season
1984 Season
Xerxes 1993
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