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SFO Tosca Act 2 Scarpia threatens Tosca with a knife (c) Curtis Brown Photography

Tosca 2023

June 30 - August 26, 2023

Torture, murder and suicide … the clock ticks.

Tenacious diva, Floria Tosca, is thrust into a no-win situation after her lover assists the escape of a political prisoner. They are cornered by the corrupt Scarpia. Each decision she makes brings fate, and disaster, one step closer.

Stage director Keith Warner and his team have created a gorgeous new production inspired by the famous Italian surrealist artist Giorgio di Chirico with additional influences from the great filmmaker, Alfred Hitchcock.


Tortura, asesinato y suicidio… Comienza la cuenta atrás.

La obstinada diva Floria Tosca se ve empujada a una situación imposible después de que su amante haya decidido ayudar a escapar a un prisionero político. Ambos se ven acorralados por el corrupto Scarpia. Cada decisión que ella toma sólo los acerca más a su destino y al desastre.

El director de escena Keith Warner y su equipo han creado una nueva y espléndida producción inspirada en el trabajo del famoso artista surrealista italiano Giorgio di Chirico e influenciada por el gran director de cine Alfred Hitchcock.

Music By
Giacomo Puccini
Libretto By
Luigi Illica and Giuseppe Giacosa
Sung In
Italian
Instant Translation Screen
English and Spanish
Production support generously provided by
The Estate of Suzanne Hanson Poole
The Tobin Endowment
James R. Seitz, Jr.
Additional artistic support provided by
The L.A. Crosby and A.O. Crosby Endowment Fund
E.H. Corrigan Foundation Fund
The performances of John Fiore are supported by
The John Crosby Conductor’s Chair endowed by Flora L. Thornton
The performances of Joshua Guerrero are supported by
The Joseph and Robert Cornell Memorial Foundation
The performances of Freddie De Tommaso are supported by
The Joseph and Robert Cornell Memorial Foundation
The performances of Leah Hawkins are supported by
The Peter B. Frank Principal Artist Fund
Production Illustration By
Benedetto Cristofani
Run Time
Approximately 2 hours 25 minutes; includes a 25-minute intermission
Please Be Advised
This production contains atmospherics and depictions of violence including sexual assault, torture, blood, suicide, and simulated cannon and gunfire.

Synopsis

Act I

The church of Sant’Andrea della Valle. The escaped Bonapartist prisoner Cesare Angelotti enters the church, surveys the statue of the Blessed Virgin, and finds at her feet a key which he uses to enter his family’s private chapel to hide. The painter Mario Cavaradossi arrives to work on his portrait of Mary Magdalene–based on Angelotti’s sister, the Marchesa Attavanti, who has been a frequent visitor to the church.  He compares the two beauties of his work – the blonde, blue-eyed saint and the fiery Floria Tosca, the famous singer who is his lover. Angelotti comes out of the chapel. Cavaradossi, recognizing him, offers his help. The exhausted and famished Angelotti gratefully accepts Cavaradossi’s lunch basket and quickly hides again as Tosca’s voice is heard outside. Tosca enters and immediately assumes that Mario was meeting another woman. Her jealousy explodes when she sees the blue eyes of the Magdalene. Mario reassures her, and they plan to spend the evening together. She leaves, and Angelotti re-emerges. They hear the cannon blast signifying an escaped prisoner, and Cavaradossi offers to escort Angelotti to a hiding place at his villa. They slip away. The Sacristan, choristers and acolytes enter excitedly to prepare a Te Deum to celebrate the victory over Napoleon at Marengo. Baron Scarpia, the chief of police, appears, hot on Angelotti’s trail. He orders his officers to search the Attavanti chapel, and he finds a fan with the family crest. Tosca enters, surprised not to find Mario at work. Scarpia greets her with the fan, and Tosca’s suspicions appear confirmed. She leaves the church in tears and Scarpia orders his men to follow her. While the choir sings, he raises his voice in jubilation: the fugitives will reappear and Tosca will run straight into his arms.


Iglesia de Sant’Andrea della Valle. Tras escapar de prisión, el bonapartista Cesare Angelotti entra en la basílica en busca de un lugar en el que esconderse. Dirige su mirada a la estatua de la Virgen María y encuentra a sus pies una llave que abre la capilla privada de su familia en la iglesia. El pintor Mario Cavaradossi llega a la iglesia para trabajar en su retrato de María Magdalena, inspirado en la marquesa Attavanti, hermana de Angelotti, la cual frecuenta la iglesia. Compara las dos bellezas de su obra: la santa rubia de ojos azules y la fogosa Floria Tosca, la famosa cantante que es su amante. Angelotti sale de la iglesia. Cavaradossi lo reconoce y le ofrece su ayuda. Angelotti, exhausto y hambriento, agradece y acepta la comida que Cavaradossi le da y, oyendo la voz de Tosca acercarse, se vuelve a esconder. Tosca entra e inmediatamente da por sentado que Mario estaba con otra mujer. Al ver los ojos azules de la Magdalena, estalla de celos. Mario la tranquiliza y deciden pasar la noche juntos. Tosca se va y Angelotti reaparece. Se escuchan los cañones que dan a entender que un prisionero ha escapado y Cavaradossi ofrece a Angelotti acompañarlo a un lugar escondido en su villa. Ambos salen. El sacristán entra con los coristas y acólitos. Van a preparar un Te Deum para celebrar la victoria sobre Napoleón en Marengo. El jefe de la policía, el barón Scarpia, aparece siguiendo el rastro de Angelotti. Ordena a sus oficiales registrar la capilla Attavanti y encuentran un abanico con el escudo de armas de la familia. Tosca entra y se sorprende de no encontrar a Mario trabajando. Scarpia le da la bienvenida con el abanico en la mano, con lo que las sospechas de Tosca se confirman. Abandona la iglesia llorando y Scarpia ordena a sus hombres seguirla. Mientras el coro canta, se oye la voz de Scarpia llena de júbilo: los fugitivos finalmente reaparecerán y Tosca correrá de vuelta a sus brazos.

Artists

Leah Hawkins headshot

Leah Hawkins

Soprano

Tosca

Joshua Guerrero headshot

Joshua Guerrero

Tenor

Cavaradossi (through August 1)

Jonathan Burton

Jonathan Burton

Tenor

Cavaradossi (August 7)

Freddie De Tommaso headshot

Freddie De Tommaso

Tenor

Cavaradossi (August 12-26)

Reginald Smith Jr headshot

Reginald Smith, Jr.

Baritone

Scarpia

Blake Denson headshot

Blake Denson

Baritone

Angelotti

Dale Travis headshot

Dale Travis

Bass-baritone

Sacristan

Spencer Hamlin

Spencer Hamlin

Tenor

Spoletta

Ben Brady

Ben Brady

Bass-baritone

Sciarrone

Kai Edgar headshot

Kai Edgar

Treble

Shepherd Boy

Dylan Gregg

Dylan Gregg

Bass-baritone

Jailer

John Fiore

John Fiore

Conductor

Keith Warner

Keith Warner

Director

Ashley Martin-Davis

Ashley Martin-Davis

Scenic & Costume Designer

Allen Hahn headshot

Allen Hahn

Lighting Designer

Katharina Kastening headshot

Katharina Eva Kastening

Associate Director

Susanne Sheston

Susanne Sheston

Chorus Director

Rick Sordelet headshot

Rick Sordelet

Fight & Intimacy Director

Christian Sordelet headshot

Christian Kelly-Sordelet

Fight & Intimacy Director

Shireen Yehya headshot

Shireen Yehya

Fight & Intimacy Director

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