
The Magic Flute 1984
Mozart’s popular final masterpiece…
…explores the ambiguous boundaries between truth and falsehood, virtue and evil, reality and fantasy.
Synopsis
Act I
A young prince, Tamino, is pursued by a giant serpent while hunting near the Temple of Isis. As Tamino falls unconscious, three Ladies, attendants of the Queen of the Night, appear and slay the beast. The three Ladies quarrel over who should stay to guard the Prince, until finally all three leave to tell their mistress about the handsome stranger. Papageno, a birdcatcher, arrives with his cage of birds just as Tamino awakens to find the dead serpent. Papageno boasts that it was he alone who killed the beast; whereupon, the three Ladies reappear and punish the liar by padlocking his mouth. They also present Tamino with a locket containing a portrait of Princess Pamina, the daughter of the Queen of the Night. Tamino, who falls in love at first sight with Pamina, is told that she has been abducted by the evil sorcerer Sarastro. Just then, amid a great rumbling, the Queen appears out of the darkness and calls upon Tamino to rescue her daughter from captivity, promising him Pamina’s hand in marriage as a reward. The three Ladies give Tamino a magic flute to protect him and remove Papageno’s padlock, giving him a chime of magic bells as protection and orders to accompany Tamino upon his adventurous mission. Tamino and Papageno are further promised the guidance of three Spirits along the way.
Princess Pamina, who has just attempted to escape Sarastro’s palace, is caught by Monostatos, the slave-master. When Papageno stumbles upon them, his outlandish appearance frightens Monostatos away. Papageno reassures Pamina that Tamino is on his way to rescue her, but first they must escape from the palace.
Meanwhile, the three Spirits have led Tamino to a sacred grove, where he attempts to enter the Temples of Reason and Nature but is rejected. When Tamino knocks at the Temple of Wisdom, an old priest, the Speaker, informs him that he has been misled, that Sarastro has good reason to abduct Pamina and that the Queen of the Night is the evil one. When voices announce that Pamina is still alive, Tamino joyfully plays on his flute. He immediately hears a reply from Papageno in the distance and runs off to find him. Just then, Papageno and Pamina enter from the opposite direction, pursued by Monostatos, who is eventually rendered harmless by Papageno’s magic bells. Sarastro enters with his Priests to the sounds of a chorus of praises. Pamina confesses that she tried to escape because of Monostatos’ lust for her. Sarastro informs Pamina that she will soon be freed but warns her against her evil mother. When Tamino is led in as a captive by Monostatos, Sarastro orders that Monostatos be beaten rather than praised for his deeds. Meeting for the first time, Tamino and Pamina swear their love for each other but are separated immediately as Tamino and Papageno are led away to be initiated into the mysteries of the Temple and the brotherhood of Sarastro.
Artists

David Kuebler
Tenor
Tamino

Sheri Greenawald
Soprano
Pamina

Stephen Dickson
Baritone
Papageno

Sally Wolf
Soprano
Queen of the Night

Joseph Frank
Tenor
Monostatos

Gwynne Howell
Bass
Sarastro

Melanie Helton
Soprano
First Lady

Judith Christin
Mezzo-soprano
Second Lady

Jean Kraft
Mezzo-soprano
Third Lady

Karen Beardsley
Soprano
Papagena

Claude Corbeil
Bass-baritone
The Speaker of the Temple

Joel Myers
Tenor
First Priest

James Ramlet
Bass
Second Priest (July 4 - 30)

Wilbur Pauley
Baritone
Second Priest (August 4 - 23)

Winifred L. Clonts
Soprano
Spirit

Jan Juline Leeds
Soprano
Spirit

Beth A. MacLeod
Mezzo-soprano
Spirit

Bruce Johnson
Tenor
First Armored Man

Richard Best
Bass-baritone
Second Armored Man

George Manahan
Conductor

Robin Thompson
Director

Steven Rubin
Scenic Designer

Willa Kim
Costume Designer

Craig Miller
Lighting Designer

Gary Wedow
Chorus Master