
The Magic Flute 1974
Mozart’s last great opera…
…explores the ambiguous boundaries between truth and falsehood, virtue and evil, reality and fantasy.
Synopsis
Act I
Pursued by a giant serpent while hunting near the Temple of Isis, Prince Tamino faints from fear. Three Ladies, attendants of the Queen of the Night, appear and kill the monster; then they leave to tell their mistress about the handsome stranger. Tamino awakens, astonished to find the serpent dead. He hides as distant pipes announce the approach of Papageno, the Queen’s birdcatcher, who enters singing of his carefree life and his quest for a pretty wife. When Tamino steps forward, Papageno claims to have saved him, at which the Ladies reappear and padlock his mouth for lying. They give Tami no a portrait of the Queen’s daughter, Pamina, and he falls in love at first sight. Suddenly, darkness and ominous rumblings herald the arrival of the Queen, who calls on Tamino to save her daughter from captivity at the hands of the sorcerer Sarastro. To protect Tamino on this mission, the Ladies provide him with a magic flute and with the company of the unwilling Papageno, to whom they present a set of silvery magic bells. Three Genii, they promise, will guide the pair to their destination.
In Sarastro’s domain, Monostatos – chief among the slaves-has pursued and caught Pamina, but he runs in fright at the sight of the outlandish Papageno. The birdman then joins the relieved Pamina in a song praising married love. When they have gone, the Genii appear and show Tamino the gates to three temples; a High Priest steps forth to tell him that it is the Queen, not Sarastro, who is villainous. When voices within tell that Pamina is still alive, Tamino joyfully plays the magic flute and, hearing Papageno pipe a reply, hurries off to find his companion. No sooner is he gone than Pamina and Papageno rush in, again pursued by Monostatos and his crew, but Papageno renders the attackers harmless by playing on his chimes. Sarastro, entering to a march of praise, tells Pamina she will eventually be set free but warns against her proud, ambitious mother. When Monostatos enters with the captured Tamino, he is punished rather than rewarded by Sarastro, who upbraids the slave for molesting Pamina. Meanwhile, Tamino recognizes Pamina, who returns his love. Priests then lead off Tamino and Papageno.
Artists

John Walker
Tenor
Tamino (July 6 - 17)

Raymond Gibbs
Tenor
Tamino (July 31 - August 23)

Bonita Glenn
Soprano
Pamina (July 6 - 17)

Patricia Wells
Soprano
Pamina (July 31 - August 23)

David Holloway
Baritone
Papageno (July 6 - 17; August 14)

Richard Stilwell
Baritone
Papageno (July 31; August 8, 20, 23)

Ragnar Ulfung
Tenor
Monostatos (July 6 - August 8)

Douglas Perry
Tenor
Monostatos (August 14 - 23)

Rita Shane
Soprano
The Queen of the Night

Don Garrard
Bass
Sarastro

William Dooley
Bass-baritone
The Orator

Barrie Smith
Soprano
First Lady

Judith Forst
Mezzo-soprano
Second Lady

Jean Kraft
Mezzo-soprano
Third Lady

Kathleen Lamy
Soprano
Papagena

Charles Walker
Tenor
First Priest

John-Paul Bogart
Bass-baritone
Second Priest

Vinson Cole
Tenor
First Armored Man

John Foster
Bass-baritone
Second Armored Man

Valerie Saalbach
Soprano
Spirit

Lisbeth Brittain
Soprano
Spirit

Faith Esham
Soprano
Spirit

Robert Baustian
Conductor

Bliss Hebert
Director

Lawrence Reehling
Scenic Designer

Willa Kim
Costume Designer

Georg Schreiber
Lighting Designer

Robert Jones
Chorus Master