
The Magic Flute 1971
Nature’s balance is restored…
…in Mozart’s fantastical adventure of sacred mystery. Join Prince Tamino in his search for enlightenment, and meet a wealth of memorable characters, including the lovely Pamina – the fulfillment of Tamino’s quest and his heart’s desire.
Synopsis
Act I
Pursued by a giant serpent while hunting near the Temple of Isis, Prince Tamino faints from fear. Three Ladies, attendants of the Queen of the Night, appear and kill the monster; then they leave to tell their mistress about the handsome stranger. Tamino awakens, astonished to find the serpent dead. He hides as distant pipes announce the approach of Papageno, the Queen’s birdcatcher, who enters singing of his carefree life and his quest for a pretty wife. When Tamino steps forward, Papageno claims to have saved him, at which the Ladies reappear and padlock his mouth for lying. They give Tami no a portrait of the Queen’s daughter, Pamina, and he falls in love at first sight. Suddenly, darkness and ominous rumblings herald the arrival of the Queen, who calls on Tamino to save her daughter from captivity at the hands of the sorcerer Sarastro. To protect Tamino on this mission, the Ladies provide him with a magic flute and with the company of the unwilling Papageno, to whom they present a set of silvery magic bells. Three Genii, they promise, will guide the pair to their destination.
In Sarastro’s domain, Monostatos – chief among the slaves-has pursued and caught Pamina, but he runs in fright at the sight of the outlandish Papageno. The birdman then joins the relieved Pamina in a song praising married love. When they have gone, the Genii appear and show Tamino the gates to three temples; a High Priest steps forth to tell him that it is the Queen, not Sarastro, who is villainous. When voices within tell that Pamina is still alive, Tamino joyfully plays the magic flute and, hearing Papageno pipe a reply, hurries off to find his companion. No sooner is he gone than Pamina and Papageno rush in, again pursued by Monostatos and his crew, but Papageno renders the attackers harmless by playing on his chimes. Sarastro, entering to a march of praise, tells Pamina she will eventually be set free but warns against her proud, ambitious mother. When Monostatos enters with the captured Tamino, he is punished rather than rewarded by Sarastro, who upbraids the slave for molesting Pamina. Meanwhile, Tamino recognizes Pamina, who returns his love. Priests then lead off Tamino and Papageno.
Artists

John Wakefield
Tenor
Tamino (July 10 - August 4 & 26)

Sidney Johnson
Tenor
Tamino (August 13)/ First Priest (July 10 - August 4 & 26)

Joanna Bruno
Soprano
Pamina

Theodor Uppman
Baritone
Papageno

Rita Shane
Soprano
The Queen of the Night (July 10 - 16, August 13 - 26)

Louise Lebrun
Soprano
The Queen of the Night (July 24 - August 4)

Douglas Perry
Tenor
Monostatos

Don Garrard
Bass
Sarastro

Susan Belling
Soprano
First Lady

Betty Lane
Soprano
Second Lady

Linda Rasmussen
Mezzo-soprano
Third Lady

Richard Best
Bass-baritone
The Speaker

Robert Hagan
Tenor
First Priest (August 13)

John Mack Ousley
Bass-baritone
Second Priest

Eugenie Chopin Watson
Soprano
Papagena

James Asbury
Tenor
First Armored Man

Richard Crist
Bass-baritone
Second Armored Man

Roslyn Jhunever
Soprano
Spirit

Joan C. Grandy
Soprano
Spirit

Patricia Jeanette Pease
Mezzo-soprano
Spirit

Robert Baustian
Conductor

Bliss Hebert
Director

Lawrence Reehling
Scenic Designer

Willa Kim
Costume Designer

Georg Schreiber
Lighting Designer

Robert Jones
Chorus Master