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The Magic Flute 1969

July 19 - August 22, 1969

Join Prince Tamino in his quest…

…for the fair Pamina as the Queen of the Night beguiles us with her dark and mysterious plans.  Egyptian temples and romantic adventures await you in Mozart’s most popular masterful of virtue and evil, reality and fantasy.

Music By
Wolfgang Amadeus Mozart
Libretto By
Emanuel Schikaneder
English Version By
Ruth and Thomas Martin

Synopsis

Act I

Prince Tamino is being pursued by a serpent, and as he falls unconscious, Three Ladies suddenly appear and slay the beast. When he rouses, the prince finds Papageno, the bird catcher, standing nearby. Papageno brazenly states that he alone slew the serpent. The Three Ladies overhear him telling this lie and punish him by placing a padlock on his mouth. They show Tamino a locket containing a portrait of Princess Pamina, the daughter of the Queen of the Night, who is imprisoned by Sarastro. The Queen appears and declares that the Prince is to rescue Pamina and make her his bride. Upon orders from the Queen, the Three Ladies present Tamino with a magic flute which will aid him in his perilous adventure. The Three Ladies remove the padlock from Papageno’s mouth and give him a set of magical bells. They tell him that he is to accompany Tamino on his journey and that Three Spirits will guide them.

At Sarastro’s palace. Princess Pamina is guarded by the Moor, Monostatos. Papageno gains entrance to her chambers and he is fortunate that his appearance frightens Monostatos away. Pamina listens eagerly as the bird catcher relates that her mother, the Queen, has charged Tamino with the task of setting her free. Tamino, escorted by the Three Spirits, enters a sacred grove, but he is thwarted in his attempts to enter the temples where he hopes to find Pamina. A Priest tells him that Sarastro has reason for keeping the Princess from her mother, but that Friendship may help him in his quest. Tamino plays his flute, and upon hearing a reply from Papageno’s magical bells, rushes off to find the bird catcher. Papageno, caught by Monostatos escaping with Pamina. Jingles his bells. In a trance, the Moor and his slaves withdraw singing and dancing.

Sarastro appears and Tamino and Pamina are brought face to face. They confess their love, but Sarastro says that before they can be united they must endure rituals of purification. Separately, they are led away to begin these trials.

Artists

Stuart Burrows

Tenor

Tamino

Doris Yarick

Soprano

Pamina

William Workman

Baritone

Papageno (July 19 - 25)

Donald Gramm

Bass-baritone

Papageno (August 16 - 22)

Jeanette Scovotti

Soprano

Queen of the Night

Ragnar Ulfung headshot

Ragnar Ulfung

Tenor

Monostatos

Peter Harrower

bass

Sarastro

Nancy Jo Grimm

Soprano

First Lady

Jacquelyn Benson

Soprano

Second Lady

Jean Kraft

Mezzo-soprano

Third Lady

Chester Watson

Bass-baritone

The Speaker

Merja Sargon

Soprano

Papagena

Douglas Perry

Tenor

First Priest

Richard Best

Bass-baritone

Second Priest

Sidney Johnson

Tenor

First Armored Man

Ray Hickman

Bass

Second Armored Man

Donald Collup

Baritone

First Spirit

David Smith

Treble

Second Spirit

Greg Ulmer

Treble

Third Spirit

Robert Baustian

Conductor

Bliss Hebert

Director

Lawrence Reehling

Scenic Designer

Willa Kim headshot

Willa Kim

Costume Designer

Georg Schreiber

Lighting Designer

Hugh Johnson

Chorus Master