
The Barber of Seville 2005
Figaro’s back…
…just in the nick of time, orchestrating a romance, foiling a dastardly plot, and lining his pockets with cash. Rossini’s masterpiece is the pinnacle of comic opera, Italian-style.
Synopsis
Act I
Count Almaviva has fallen in love from afar with Rosina. He serenades her, hoping to win her heart. The Count hides when Figaro bursts in, boasting that he is the busiest man in the whole city. Figaro tells the Count that Rosina is kept a virtual prisoner, as the ward of the jealous Doctor Bartolo. The Count launches into another serenade, calling himself Lindoro, an impoverished student. Rosina’s attempt to communicate with “Lindoro” is thwarted and Figaro suggests that the Count disguise himself as a soldier, in order to gain entrance to the house.
Rosina resolves to reject Bartolo’s marriage proposal in favor of “‘Lindoro.” Don Basilio, Rosina’s music teacher, arrives to give a voice lesson. He warns Bartolo about the return of Count Almaviva and proposes a campaign of ever-increasing slander to drive him away. Figaro, having overheard them, alerts Rosina that the Doctor plans to marry her the next day. Almaviva arrives, disguised as a drunken soldier and demanding a night’s lodging. He argues loudly with Bartolo, meanwhile slipping a love note to Rosina. Figaro rushes in, followed by the police, whose attempt to arrest the “soldier” is thwarted.
Artists

Kirstin Chávez
Soprano
Rosina (July 2- 13)

Ana María Martínez
Soprano
Rosina (July 22 - August 25)

Brian Leerhuber
Baritone
Figaro

Bruce Sledge
Tenor
Count Almaviva

Dale Travis
Bass-baritone
Doctor Bartolo

Mary Jane Johnson
Soprano
Berta

Wayne Tigges
Bass
Don Basilio

Sam Handley
Bass
Ambrogio

Tim Hill
Bass-Baritone
A Sergeant

Alex Richardson
Tenor
A Notary

Kenneth Montgomery
Conductor

Stefano Vizioli
Director

Riccardo Hernandez
Scenic Designer

Anna Marie Heinreich
Costume Designer

Duane Schuler
Lighting Designer

Gregory Buchalter
Chorus Master