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Salome 1969

August 2 - 13, 1969

Witness the explosion of a willful princess…

… whose awakening sexuality erupts into passionate loathing and destroys the very object of her desire.  One of the Bible’s most powerful episodes depicting the rise and fall of evil is transformed by Richard Strauss and Oscar Wilde into an operatic tour-de-force that will haunt you with its shocking poetic and musical intensity.

Music By
Richard Strauss
After
Oscar Wilde's tragedy
In the German translation By
Hedwig Lachmann

Synopsis

Music Drama in One Act

On a terrace above the banquet hall in the palace of Herod, Tetrarch of Judea, palace soldiers are keeping guard as the Tetrarch entertains within the hall. Narraboth, the Captain of the Guard, is discussing with the Page his love for Salome, the daughter of the Tetrarch’s wife, Herodias. Salome enters from the banquet hall, tired of the revel and of her step-father’s obvious interest in her. She hears a voice from deep within a cistern under the terrace, which she knows to be that of Jochanaan (John the Baptist). Jochanaan has been imprisoned for accusing Herodias of murdering her husband in order to marry his brother, who is now Tetrarch. Salome asks Narraboth to bring Jochanaan to her on the terrace. As Jochanaan is brought from the cistern, he curses the wickedness of Herodias, but Salome does not hear him. He is the most strangely beautiful man she has ever seen. She is intrigued and enchanted by him. She tells him of her love and says she wants to kiss him. Narraboth, watching, realizes that Salome will never love him as strongly as this, and in grief kills himself with his sword. The Page, kneeling over the fallen body of his friend, weeps. Jochanaan repulses Salome, telling her she is no better than her mother, and cautions her to change her life. He then returns to his prison.

Herod and Herodias enter from the banquet hall with their entourage. Five of them, Jews, begin a complicated religious argument about John the Baptist, while two others, Nazarenes, discuss the coming of Christ. Herod begs Salome to dance and she tells him she will do so only if he will grant any wish of her choosing. He agrees and she dances a dance with seven veils. At the conclusion of the dance she asks for the head of Jochanaan. Herod is appalled. He pleads with her, offering all the treasures of his kingdom, but she is adamant. The executioner is sent into the cistern. After a tense moment he ascends from the cistern holding aloft on a silver shield the bloody head of Jochanaan. Salome runs to seize the head with her hands and kisses the lips which are still warm. Herod, horrified at this spectacle, hysterically orders his soldiers to kill Salome and they crush her under their shields.

Artists

Eva-Maria Molnár

Soprano

Salome

William Dooley headshot

William Dooley

Bass-baritone

Jochanaan

Ragnar Ulfung headshot

Ragnar Ulfung

Tenor

Herod

Jean Kraft

Mezzo-soprano

Herodias

John Stewart

Tenor

Narraboth

Ellen Shade

Ellen Shade

Soprano

Page

James Morris headshot

James Morris

Bass-baritone

First Soldier

Ray Hickman

Bass

Second Soldier

William Workman

Baritone

A Cappadocian

Susan Wold

Soprano

A Slave

Joseph McClain

Tenor

First Jew

Bruce Gardner

Tenor

Second Jew

Richard Roytek

Tenor

Third Jew

Douglas Perry

Tenor

Fourth Jew

Richard Best

Bass-baritone

Fifth Jew

Peter Harrower

bass

First Nazarene

Gary Burgess

Tenor

Second Nazarene

Lovell Horton

Actor

Executioner

John Crosby headshot

John Crosby

Conductor

Carolyn Lockwood-Busch

Director

John Conklin headshot

John Conklin

Scenic Designer

Georg Schreiber

Lighting Designer