
Orpheus in the Underworld 1985
Offenbach’s fun-filled operetta…
…with its irreverent cast of gods and humans romp through heaven and hell to placate the ever-watchful Public Opinion.
Synopsis
Act I
A short synopsis of the Orpheus legend, particularly as conceived by the composer Gluck, is in order.
Orpheus, supreme musician and poet, is bereft at the death of his wife, Eurydice. His grief is so great that he defies Hell itself to regain her (one must remember that in Greek antiquity all of the dead go to Hades, the underworld, through which flows the river Styx). Orpheus enters Hades at the risk of his own life. He overwhelms the powers of Hell by the eloquence of his songs and is awarded Eurydice. But there is one condition: on his journey back to earth, he must precede her and never look back, lest she be taken from him forever. On the journey, Eurydice’s pleas are so fervent that Orpheus defies the edict and looks back on his wife, who dies once again. His eulogy over her body is so moving that the God of Love descends as deus ex machina and rewards Orpheus’ fidelity with the revivified Eurydice.
The countryside near Thebes. On one side is the cottage of Aristée, a beekeeper. On the other side is the cottage of Orphée, director of the Thebes male-voice choral society.
Shepherds and Shepherdesses are returning home through the cornfields with their sheep. Members of the Town Council congratulate themselves on their expertise in caring for the populace.
L’Opinion Publique appears and explains her part in the proceedings; she will replace the traditional Greek chorus, but in addition to interpreting the action, she will also be a participant.
Eurydice, wife of Orphée, is in love with Aristée. As she is decorating the beekeeper’s doorway with cornflowers, Orphée mistakes her for a nymph he has been seeing. When he recognizes his own wife, he berates her for infidelity. Eurydice is quick with rejoinders. The enraged Orphée inflicts his latest concerto on her; she is revolted, and they separate, Orphée uttering oaths to set deadly traps in the cornfield for his rival.
Aristée arrives in the midst of a bucolic celebration. He confides to the audience that he is not what he appears to be. Eurydice rushes in to warn him about the traps in the fields. He gaily gambols amidst the corn, followed by Eurydice. She is bitten by a deadly snake, set in one of the traps, and dies. Aristée reveals his true person; he is Pluton, God of Hades. He revives the dead Eurydice for a moment so she can write a trite farewell note to Orphée, after which Pluton carries her off to Hell.
Orphée returns and is overjoyed when he learns of his wife’s death. L’Opinion Publique is near at hand; Orphée, fearful of losing his good reputation, is forced to go to Olympus to lodge a complaint with Jupiter. He must demand the return of his wife “for the edification of posterity.”
Artists

Peter Kazaras
Tenor
Orphée

Judy Kaye
Soprano
Euridice

Gimi Beni
Bass-baritone
Un Licteur

Ann Howard
Mezzo-soprano
L'Opinion Publique

Michael Ballam
Tenor
Aristée-Pluton

Beverly Morgan
Soprano
Vénus

Greer Grimsley
Bass-baritone
Mars

Claude Corbeil
Bass-baritone
Jupiter

Cynthia Haymon
Soprano
Diane

Joseph Frank
Tenor
Mercure

Judith Christin
Mezzo-soprano
Junon

Kathryn Gamberoni
Soprano
Cupidon

Nico Castel
Tenor
John Styx

Glenn Siebert
Tenor
Minos

Kurt Link
Bass
Eaqué

Andrew Wentzel
Bass-baritone
Rhadamanté

Mark E. Cummings
Baritone
Morphée

Meghan Hurley
Dancer

Mireille Leterrier
Dancer

Denise Oustalet
Dancer

Lisa Owen
Dancer

Douglas Becker
Dancer

Thom Clower
Dancer

William Dunne
Dancer

Matthew Sharp
Dancer

John Crosby
Conductor

Bliss Hebert
Director

Nancy Thun
Scenic Designer

Steven B. Feldman
Costume Designer

Michael Lincoln
Lighting Designer

Rodney Griffin
Choreographer

Gary Wedow
Chorus Master