
Mavra 1962
Stravinsky’s delightfully intimate, colorful…
… and whimsical comic opera, set in a Russian village around 1840 – fanciful and surreal.
(presented on triple-bill with Le Rossignol and Renard)
Synopsis
Opera Bouffe in One Act
Parascha sits by her window, singing of her lover as she sews. Her friend, a Hussar, appears singing a gipsy song, and their flirting resolves itself into a declaration of their love for each other. They arrange a meeting, and the Hussar goes off as Parascha’s mother enters. The mother complains that the house is in chaos since their cook has died, and sends Parascha off to ask the neighbors about finding a new maid. Alone, the mother remembers the virtues of the late, lamented servant. A neighbor comes in, and the two ladies gossip about the weather, the servant problem, and, that subject dear to feminine hearts, clothes. Suddenly Parascha appears to announce that she has found a new cook. The ‘cook’ is none other than the Hussar dressed in servant’s clothes. The mother tells ‘her’ about her duties, and asks her name. It is Mavra, and she knows all about the faithful, old servant who has died. The neighbor and the mother go off, leaving ‘Mavra’ and Parascha to revel in the success of their plot, and renew their vows of love. Alone, as Parascha goes off to join her mother, the bogus cook decides to shave. He is in the midst of this operation, when he is discovered by the mother. Her cries of ‘thief’ attract the neighbor and Parascha, and confusion reigns as the Hussar escapes through a convenient window.
Artists

Doris Yarick
Soprano
Parascha

Mary Minott
Mezzo-soprano
The Neighbor

Elaine Bonazzi
Mezzo-soprano
The Mother

Paul Franke
Tenor
The Hussar

Robert Baustian
Conductor

Carolyn Lockwood-Busch
Director

Henry Heymann
Designer
Scenery & Costumes

Louise Guthman
Lighting Designer