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La vida breve 1975

July 26 - August 20, 1975

A true Spanish opera…

…abounding with the rhythm of castanets and flamenco dancing…

(presented as a double-bill with L’enfant et les sortilèges)

Music By
Manuel de Falla
Text By
Carlos Fernandez-Shaw

Synopsis

Act I

The scene is set in Granada. Against the recurring refrain of a blacksmith’s song from a nearby smithy – ‘Alas for ill-starred wretches! Unlucky he who is born an anvil, not a hammer!’ – we see a young gipsy girl, Salud, waiting impatiently and dejectedly for her lover, Paco: her grandmother attempts in vain to comfort her. When finally he arrives, she falls into his arms, and in reply to her passionate appeals, he swears eternal fidelity. Even while they are locked in an embrace, however, Uncle Salvador comes in to tell the grandmother that he has discovered that Paco is to marry another girl, rich and of his own class, in a few days’ time. An orchestral interlude (with the occasional sound of voices) representing twilight over Granada brings the first act to a close.

Act II

The second act opens with the fiesta in Carmela’s house to celebrate her marriage to Paco; a folk-singer sings a soleá to guitar accompaniment, and there is a general dance by the guests (this dance is widely known out of its context, largely through transcriptions). Salud appears outside the windows and voices her grief at her betrayal; Paco, hearing her, is seized with remorse, but conceals his agitation. During another orchestral interlude the scene changes to the interior of the house, where dancing has recommenced (this section was added for the Paris production of 1914). Salud and her two relatives have come in; she pours out her story, and when Paco, fearful of a scandal, desperately denies it, she falls dead at his feet. The curtain falls as the gipsies call clown curses on Paco’s head.

Artists

Ellen Shade

Ellen Shade

Soprano

Salud

Betty Allen

Mezzo-soprano

Salud's Grandmother

Neil Shicoff

Tenor

Paco

William Dansby

Bass

Uncle Sarvaor

William Parker

Baritone

Manuel

Sondra Stowe

Mezzo-soprano

Carmela

Vinson Cole

Tenor

Voice in the Forge/ A distant voice

El Pelete

Flamenco Singer

Robert Gray

Tenor

Street-seller

Ashley Putnam

Ashley Putnam

Soprano

Street-seller

Nancy Callman

Mezzo-soprano

Street-seller

Sarah Beatty

Soprano

Street-seller

María Benítez headshot

María Benítez

Choreographer/Dancer

Guy Foster

Dancer

Robert Baustian

Conductor

Bliss Hebert

Director

Allen Charles Klein

Scenic Designer

Costume Designer

Georg Schreiber

Lighting Designer

Terry Lusk

Chorus Master