The Santa Fe Opera

Skip to main content Skip to search
1963 production photo from Joan of Arc at the Stake

Joan of Arc at the Stake 1963

July 24 - 26, 1963

This dramatic oratorio…

…highlights the tension and anguish of Joan of Arc’s interrogation and execution.

(presented on a double-bill with The Santa Fe Opera Ballet: Persian Set by Henry Cowell and At the Gate by Arnold Franchetti)

Music By
Arthur Honegger
Poem By
Paul Claudel
English Version By
Dennis Arundell

Synopsis

Prologue

The chorus paints a picture of the despair into which France has fallen and anticipates the mission of Joan.

 

Scene I

THE VOICES FROM HEAVEN
Brother Dominic brings Joan a book, the record of her life as translated by the angels in heaven.

Scene II

THE VOICES OF THE EARTH
The chorus condemns Joan as a witch and heretic, using the Latin phrases which she heard so often at her trial.

Scene III

JOAN DELIVERED TO THE BEASTS
Joan returns in memory to her childhood in Domremy animals taking the leading roles. The absurdity is underscored by the use of stinging Latin parodies of the Scriptures. A parallel is drawn with the early Christian martyrs in the arenas of Rome.

Scene IV

JOAN AT THE STAKE
Joan searches for a reason behind the pattern of her life which brought her to death at the stake.

Scene V

THE KINGS or THE INVENTION OF THE GAME OF CARDS
The Hundred Years’ War is danced out as a game of cards in this polite satire on war. The leaders on both sides emerge with their pockets full of gold, and Joan is caught in the web of the complicated game of war.

Scene VI

CATHERINE AND MARGARET
Joan’s voices, silent for so long, return as shimmering images from a medieval manuscript, and Joan relives her moment of joy and triumph.

Scene VII

THE KING SETS OUT FOR RHEIMS
Joan’s reunification of France is portrayed as a country fair where two jovial giants, representing the bread and wine of France, are reunited. The scene ends on a note of awesome reverence as Joan watches Charles VII led to Rheims for his coronation.

Scene VII

THE SWORD OF JOAN
Joan returns in memory to her childhood in Domremy in order to explain to Brother Dominic her faith in God and her sword as a symbol of love. The May Song of the children of her village becomes a recurring theme. Not only was May the month of her greatest triumphs and her death, but it is also the month of the Virgin and a symbol of renewal.

Scene IX

TRIMAZO
The May song helps Joan to realize that she herself will be the candle mentioned in the song, a burning offering to heaven.

Scene X

THE BURNING OF JOAN OF ARC
Joan’s burning takes on the mystical qualities of religious ritual, and the work ends on a note of benediction.

Artists

Vera Zorina

Director and Actress

Joan of Arc

James Mitchell

Actor

Brother Dominic

Carla Marioni

Soprano

The Virgin

Mildred Allen

Soprano

St. Margaret

Elaine Bonazzi

Elaine Bonazzi

Mezzo-soprano

St. Catherine

Martin Eugene Allen

Tenor

The Usher

George Shirley

Tenor

Porcus

Melvin Smith

Tenor

The Ass/ Grinder Trusty

Stanley Kolk

Tenor

Herald I

Lee Cass

Bass-baritone

Herald II

Batyah Godfrey

Contralto

Mother of Barrels

Don Junod

Tenor

The Clerk/ Scene 1 Voice

Stephen Catron

Actor

A Child

Bruce Freeman

Bass

A Priest

Nancy Killmer

Soprano

Prologue Voice

Carolyn Heafner

Soprano

Scene 1 Voice

Jay Wilkey

Baritone

Scene 3 Voice

Conrad Immel

Baritone

Scene 8 Voice

Wesley Fata

Choreographer

A King

Michael Nestor

Dancer

A King

Phillip Rice

Dancer

A King

Dennis Wayne

Dancer

A King

Myrna Aaron

Dancer

King's Consort

Cathy Boyd

Dancer

King's Consort

Diana Cartier

Dancer

King's Consort

Elizabeth Wullen

Dancer

King's Consort

Anthony LaGiglia

Dancer

A Knave

Don Paradise

Dancer

A Knave

John Richardson

Dancer

A Knave

Warren Ruud

Dancer

A Knave

Robert Baustian

Conductor

John Butler

Director/ Choreographer

Henry Heymann

Designer

Scenery & Costumes

Carl Seltzer

Lighting Designer

John Moriarty

Chorus Master