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Joan of Arc at the Stake 1962

July 25 - August 4, 1962

This dramatic oratorio…

…highlights the tension and anguish of Joan of Arc’s interrogation and execution.

Music By
Arthur Honegger
Poem By
Paul Claudel
English Version By
Dennis Arundell

Synopsis

Prologue

The chorus paints a picture of the despair into which France has fallen and anticipates the mission of Joan.

Scene I

THE VOICES FROM HEAVEN
Brother Dominic brings Joan a book, the record of her life as translated by the angels in Heaven.

Scene II

THE VOICES OF THE EARTH
The chorus condemns Joan as a witch and heretic, using the Latin phrases which she heard so often at her trial.

Scene III

JOAN DELIVERED TO THE BEASTS
Joan’s trial is turned into a bizarre carnival with animals taking the leading roles. The absurdity is underscored by the use of stinging Latin parodies of the Scriptures. A parallel is drawn with the early Christian martyrs in the arenas of Rome.

Scene IV

JOAN AT THE STAKE
Joan searches for a reason behind the pattern of her life which brought her to death at the stake.

Scene V

THE KINGS or THE INVENTION OF THE GAME OF CARDS
The Hundred Years’ War is danced out as a game of cards in this polite satire on war. The leaders on both sides emerge with their pockets full of gold, and Joan is caught in the web of the complicated game of war.

Scene VI

CATHERINE AND MARGARET
Joan’s voices, silent for so long, return as shimmering images from a medieval manuscript, and Joan relives her moment of joy and triumph.

Scene VII

THE KING SETS OUT FOR RHEIMS
Joan’s reunification of France is portrayed as a country fair where two jovial giants, representing the bread and wine of France, are reunited. The scene ends on a note of awesome reverence as Joan watches Charles VII led to Rheims for his coronation.

Scene VIII

THE SWORD OF JOAN
Joan returns in memory to her childhood in Domremy in order to explain to Brother Dominic her faith in God and her sword as a symbol of love. The May Song of the children of her village becomes a recurring theme. Not only was May the month of her greatest triumphs and her death, but it is also the month of the Virgin and a symbol of renewal.

Scene IX

TRIMAZO
The May Song helps Joan to realize that she herself will be the candle mentioned in the song, a burning offering to Heaven.

Scene X

THE BURNING OF JOAN OF ARC
Joan’s burning takes on the mystical qualities of religious ritual, and the work ends on a note of benediction.

Artists

Vera Zorina

Director and Actress

Joan of Arc

Atwood Levensaler

Director

Brother Dominic

Saramae Endich

Soprano

The Virgin

Doris Yarick

Soprano

St. Margaret

Helen Vanni

Mezzo-soprano

St. Catherine

Paul Franke

Tenor

Porcus

Martin Eugene Allen

Tenor

The Usher

Lawrence Boyll

Bass

The Ass/ Grinder Trusty

Jenneke Barton

Mezzo-soprano

Mother of Barrels

Gerald Landon

Tenor

The Clerk

Thomas Page

Tenor

A Priest/ Herald I

John West

Tenor

Herald II

Catherine Owens

Soprano

Soprano solo, prologue

Bobbian Young

Soprano

Soprano solo, scene I

Don Junod

Tenor

Voice

Carroll Alexander

Tenor

Voice

Vincent Warren

Dancer

King of France

Howard Sayette

Dancer

King of England

Lawrence Eddington

Dancer

Duke of Burgandy

Ron Sequoio

Choreographer

Death

Louellen Sibley

Dancer

Stupidity

Judith Chazin

Dancer

Pride

Gretchen Schumacher

Dancer

Greed

Nancy King

Dancer

Lust

Mark Sheil

Apprentice Dancer

Regnault de Chartres

Mitchell Peel

Apprentice Dancer

Duke of Bedford

Salvatore Pernice

Apprentice Dancer

Guillaume de Flavy

John Dickerson

Apprentice Dancer

Jean de Luxembourg

Robert Baustian

Conductor

John Butler

Director/ Choreographer

Henry Heymann

Designer

Scenery & Cotsumes

Louise Guthman

Lighting Designer

John Moriarty

Chorus Master