
Intermezzo 1994
A near tragedy is averted…
…after a passionate love letter mistakenly falls into the hands of a shrewish wife in Richard Strauss’ charming autobiographical domestic comedy.
Synopsis
Act I
Robert Storch is about to leave his home in Grundlsee for Vienna. He is in his dressing room, packing with the help of his wife, Christine. She is thoroughly bad-tempered, abusing both the maid and the cook and constantly chiding her husband, reminding him that she comes from a far better family. She confides to her maid that her most adamant complaint is her husband’s unwavering kindness and gentleness. As he is about to depart, she laments her actions and expresses her love. Afterward, Christine accepts a neighbor’s invitation to go sledding.
Christine, sledding downhill, collides with a skier, whom she immediately chastises, complaining that she has been hurt. However, her mood quickly changes when she learns that the skier is the well-connected Baron Lummer. She informs him that she is the wife of the famous composer Storch and invites him to visit her.
Christine and Baron Lummer, who we learn is in Grundlsee for his health, are seen waltzing at a nearby inn.
Because of the Baron’s ill health, Christine rents a room for him in the house of the local Notary. She describes the Baron’s interests and ailments to the Notary’s Wife in a somewhat protective fashion.
In the dining room of her home, Christine writes to her husband of the discovery of her new, young escort. The Baron arrives and reveals his dire need for money to continue his education because his family is not supportive of his chosen field. She avoids the subject of lending him money but hints that her husband would help once he returns. After his departure, Christine dreams about the young man and thinks fondly of her husband.
In his room at the Notary’s house, the Baron thinks of his idle evening with Christine and becomes impatient with her demands. A girl friend arrives to keep an appointment; he promises to join her later and writes a letter to his “patroness,” requesting money.
In her dining room, Christine reads the Baron’s letter, in which he asks for a thousand marks. The Baron arrives, and she scolds him for his impossible demands. The maid enters with another letter, this time addressed to Christine’s husband. Nevertheless, she opens it and reads aloud: it is an endearing note from a woman, arranging opera plans, with a promise to meet afterward in the bar. Despairing, Christine telegrams Storch, accusing him of infidelity and saying that they must part forever.
In her son’s bedroom, Christine complains to Franzl of the abuses of his father toward her, but he will not hear of such things, saying that it is she who causes the scenes and that his father is kind and good. In a melodramatic mood, she kneels by Franzl’s bed to pray.
Artists

Sheri Greenawald
Soprano
Christine

Dale Duesing
Baritone
Robert Storch

Glenn Siebert
Tenor
Baron Lummer

William Dooley
Bass-baritone
Notary

Anthony Laciura
Tenor
Stroh

Erie Mills
Soprano
Anna

Judith Christin
Mezzo-soprano
Fanny

Joyce Castle
Mezzo-soprano
The Notary's Wife

Catherine Naglestad
Soprano
Resi

Kevin Langan
Bass
An Opera Singer

Laura Lamport
Soprano
Marie

Eric S. Thomas
Baritone
A Businessman

Jamie Offenbach
Bass-baritone
A Lawyer

Sara Seglem
Soprano
Therese

John Crosby
Conductor

Göran Järvefelt
Director
(Production)

Ken Cazan
Director

Carl Friedrich Oberle
Scenic & Costume Designer

Amy Appleyard
Lighting Designer