
Intermezzo 1984
Strauss’ comedy of manners…
…portrays a composer and his wife, loosely based on an early period of his own marriage.
Synopsis
Act I
Robert Storch is about to leave his home in Grundlsee for Vienna. He is in his dressing room, packing with the help of his wife, Christine. She is thoroughly bad-tempered, abusing both the maid and the cook and constantly chiding her husband, reminding him that she comes from a far better family. She confides to her maid that her most adamant complaint is her husband’s unwavering kindness and gentleness. As he is about to depart, she laments her actions and expresses her love. Afterward, Christine accepts a neighbor’s invitation to go sledding.
Christine, sledding downhill, collides with a skier, whom she immediately chastises, complaining that she has been hurt. However, her mood quickly changes when she learns that the skier is the well-connected Baron Lummer. She informs him that she is the wife of the famous composer Storch and invites him to visit her.
Christine and Baron Lummer, who we learn is in Grundlsee for his health, are seen waltzing at a nearby inn.
Because of the Baron’s ill health, Christine rents a room for him in the house of the local Notary. She describes the Baron’s interests and ailments to the Notary’s Wife in a somewhat protective fashion.
In the dining room of her home, Christine writes to her husband of the discovery of her new, young escort. The Baron arrives and reveals his dire need for money to continue his education because his family is not supportive of his chosen field. She avoids the subject of lending him money but hints that her husband would help once he returns. After his departure, Christine dreams about the young man and thinks fondly of her husband.
In his room at the Notary’s house, the Baron thinks of his idle evening with Christine and becomes impatient with her demands. A girl friend arrives to keep an appointment; he promises to join her later and writes a letter to his “patroness,” requesting money.
In her dining room, Christine reads the Baron’s letter, in which he asks for a thousand marks. The Baron arrives, and she scolds him for his impossible demands. The maid enters with another letter, this time addressed to Christine’s husband. Nevertheless, she opens it and reads aloud: it is an endearing note from a woman, arranging opera plans, with a promise to meet afterward in the bar. Despairing, Christine telegrams Storch, accusing him of infidelity and saying that they must part forever.
In her son’s bedroom, Christine complains to Franzl of the abuses of his father toward her, but he will not hear of such things, saying that it is she who causes the scenes and that his father is kind and good. In a melodramatic mood, she kneels by Franzl’s bed to pray.
Artists

Elisabeth Söderström
Soprano
Christine

Alan Titus
Baritone
Robert Storch

Melanie Helton
Soprano
Anna

Constance Hauman
Soprano
Marie

Gweneth Bean
Mezzo-soprano
Fanny

John Stewart
Tenor
Baron Lummer

Jean Kraft
Mezzo-soprano
The Notary's Wife

William Dooley
Bass-baritone
The Notary

Mary Law
Soprano
Resi

Lawrence Evans
Baritone
A Businessman

Kevin Langan
Bass
An Opera Singer

Joseph Frank
Tenor
Stroh

Robert Edwards
Baritone
A Lawyer

Angelina Réaux
Soprano
Therese

John Crosby
Conductor

Göran Järvefelt
Director

Carl Friedrich Oberle
Scenic & Costume Designer

Craig Miller
Lighting Designer

Gary Wedow
Chorus Master