
Grand Duchess of Gerolstein 1971
Mixing mirth and melody in equal measure…
…the operettas of Jacques Offenbach capture the very essence of French sophistication. Spoiled and domineering, the Grand Duchess gets what she wants—until she sets her sights on the young soldier Fritz. Her amorous pursuit mobilizes everything we need for a howling good time: wealth, wine and wicked satire.
Synopsis
Act I
Once upon a time, not so very long ago, before the world was divided into armed camps bent on mutual self-destruction, European stagecraft was one gigantic operetta. In France, the court of Napoleon III and Eugenie was playing out its own version of The Chocolate Soldier. In pre-Bismarck Germany, there were innumerable small states, each as pompous and irresponsible as the Bavaria of Mad Ludwig II.
The Grand Duchy of Gerolstein is, indeed, modeled after such states with their predilection for uniforms, ribbons, and titles.
Gerolstein is ruled by a Grand Duchess who ascended the throne at an early age. Her sole tutors have been the diplomat Baron Puck and General of the Armies Bourn. Puck has arranged a war to divert his young charge from the “dangerous” tendencies peculiar to a girl of twenty years.
A grand review of the Army is about to be held. In the ranks is a recruit by the name of Fritz. He has already aroused the jealousy of Bourn by winning the affections of a peasant girl, Wanda, with whom Bourn is infatuated. The Grand Duchess arrives to review her troops and to bid them farewell before battle. Fritz incurs further disfavor with his commanding officer by attracting the attention of the Grand Duchess herself, who, to the dismay of the General, calls him out of the ranks, enters into conversation with him and invites him to sing the regimental song with her. In a matter of moments, Fritz is promoted to corporal, sergeant, lieutenant, and, finally, captain! The Duchess withdraws to her state tent to contemplate battle plans. Before receiving her advisors, she grants an interview to Prince Paul, the heir to a neighboring duchy. After six unsuccessful months, this is his first opportunity to press his marriage suit. Her Highness will have none of it. To pacify him, she allows him to remain for the war council. Bourn submits his plans. Fritz declares them utter nonsense, and is given leave by the Duchess to state his own views, to which Bourn and Puck object that, being neither a commanding officer nor a nobleman, he must not be heard. The Duchess, thereupon, elevates Fritz to a general’s rank and creates him a baron. Fritz offers a plan of charming simplicity which so delights her Highness that she invests him with the supreme command, and submits the conduct of the campaign to his skill and courage. As Bourn, Puck, and Paul plot revenge, Fritz is presented with the symbol of his rank, the sabre of the Duchess’ father. The troops depart for glorious battle.
Artists

Elaine Bonazzi
Mezzo-soprano
Grand Duchess of Gerolstein

Richard Stilwell
Baritone
Prince Paul

John Wakefield
Tenor
Fritz

Richard Best
Bass-baritone
Baron Grog

Donald Gramm
Bass-baritone
General Boum

Douglas Perry
Tenor
Baron Puck

Susan Belling
Soprano
Wanda

Stephen Rowland
Baritone
Népomuc

Chalyce Brown
Soprano
Iza

Eugenie Chopin Watson
Soprano
Olga

Judy L. Cole
Mezzo-soprano
Amélie

Barbara Sacks
Mezzo-soprano
Charlotte

John Crosby
Conductor

Bliss Hebert
Director

Allen Charles Klein
Scenic Designer

Suzanne Mess
Costume Designer

Georg Schreiber
Lighting Designer

Robert Jones
Chorus Master