Dialogues of the Carmélites 1966
Even a convent offers no safe haven…
…for the faithful. Overcoming her deepest fears, a young nun joins her sisters in martyrdom at the guillotine. Poignant drama of faith set amid the French Revolution.
Synopsis
Act I
In May, 1770, the people of Paris were celebrating the wedding of the Dauphin of France to Marie Antoinette. The Marquis de Ia Force and his wife were on the way home in their carriage when some of this throng panicked and, surrounding the coach, broke one of its windows. The pregnant Marquise became terrified and, a few hours after being rescued from the mob by soldiers, died following the birth of a daughter Blanche.
The Marquis is taking a nap in his library when his son arrives with news that the people are rioting in the streets and that Blanche is somewhere among them. The Marquis remembers what happened to her mother and is worried. The Chevalier is more worried about what the excitement will do to her nerves, for she has always been prey to fear (he calls her “little rabbit”), but the Marquis believes that a good marriage will cure her. Blanche enters, exhausted by her experience with the crowds, and asks to go to her room. Brother and sister exit, but Blanche returns, in terror, having seen a strange shadow. She tells her father that she wants to join the Carmelite order because she can no longer live in the world.
The Prioress of the Convent tries to determine whether Blanche is genuinely interested in becoming a nun and, so, speaks strongly to her. She is satisfied by Blanche’s determination and is greatly moved when Blanche unconsciously chooses the name she herself had considered using, “Sister Blanche of the Agony of Christ.”
Blanche and Sister Constance are talking together: Blanche cannot understand why her friend is so gay when the Prioress is so ill. Sister Constance says she would gladly give up her life for the Prioress. Blanche, with her fear of death, cannot accept this thought and, when Sister Constance further says that she believes they will both die the same day while still young, Blanche becomes angry.
The dying Prioress has come to fear the approach of death. Feeling a strange kinship to Blanche, she blesses the girl. Then begins her death agony, and in her delirium she sees the desecration of the convent.
Act II
When Blanche is left alone to pray over the body of the Prioress, she is overcome by her fears and tries to run away. Mother Marie stops her and comforts her.
Constance expresses to Blanche her belief that the Prioress’ suffering at death was the more acute because she was dying for someone else, someone who would find it easy to die when his turn came.
The new Prioress arrives and delivers her first talk to the sisters.
The Chevalier comes to see his sister, and the new Prioress asks Mother Marie to be present during the conversation. The Chevalier asks Blanche to come away with him, as the revolution is spreading. Blanche refuses, and her brother accuses her of being afraid to leave the convent. She says she is no longer free to choose. But after he leaves, she gives way to fear, and Mother Marie comforts her.
The Chaplain is no longer allowed to say Mass and takes leave of the sisters. A mob outside, however, blocks his escape, and he is forced back. Soldiers enter, and a commissioner reads an order expelling the Carmelites. After the soldiers leave, Mother Jeanne gives Blanche the figure of the Christ child for courage, but, on hearing the mob outside, Blanche drops it, and it shatters.
Act III
In the devastated chapel, Mother Marie, who is in charge because the Prioress is in Paris, asks the sisters to take a vow of martyrdom. The vote must be unanimous, but there is one vote against it. Everyone is convinced it is Blanche’s, bur Sister Constance confesses co it and then retracts it. As the sisters kneel co take the oath, Blanche, overcome with terror, flees the chapel. The nuns must leave the chapel divested of their religious garb and are led away by Mother Marie.
Blanche is now a servant in her old house, taken over by others after the execution of her father. Mother Marie comes to ask Blanche to return to the Order, but Blanche is too afraid to agree. Later Blanche hears news of the sisters’ arrest.
In prison, the Prioress comforts the nuns and joins them in their vow of martyrdom. Sister Constance is certain that Blanche will return. The Revolutionary Tribunal condemns the nuns to death.
On encountering the Chaplain, Mother Marie learns of the order for the nuns’ execution and wishes to join her sisters, but the Chaplain argues against it: her suffering will be not to die.
At the guillotine the nuns ascend the scaffold singing the Salve Regina. Their chant is weakened as one voice after another is silenced. When only one voice remains, that of Sister Constance, Blanche emerges from the crowd and takes up the hymn. Fearlessly, she mounts the scaffold.
Artists
Sylvia Stahlman
Soprano
Blanche
Sylvia Stahlman
Hometown: Nashville, TN
SFO Debut:
Daphne, Daphne, 1964
Past Seasons:
Blanche, Dialogues of the Carmélites, 1966
Countess, Capriccio, 1966
Violetta, La traviata, 1965
Arabella, Arabella, 1965
Jean Kraft
Mezzo-soprano
Prioress
Jean Kraft
Hometown: Menasha, WI
SFO Debut:
Adelaide von Waldner, Arabella, 1965
Past Seasons:
Marcellina, The Marriage of Figaro, 1987
Housekeeper, Die schweigsame Frau, 1987
Third Lady, The Magic Flute, 1986
Marcellina, The Marriage of Figaro, 1985
Juno, The Tempest, 1985
Third Lady, The Magic Flute, 1984
Notary’s Wife, Intermezzo, 1984
May/Madwoman 4, We Come to the River, 1984
Berta, The Barber of Seville, 1981
Miss Pick, News of the Day, 1981
Madame Larina, Eugene Onegin, 1980
Herodias, Salome, 1979
Mistress Meg Page, Falstaff, 1977
Geneviève, Pelléas et Mélisande, 1977
Marcellina, The Marriage of Figaro, 1976 (July 10 – 23; August 21 -24)
Mistress Meg Page, Falstaff, 1975
Third Lady, The Magic Flute, 1974
Countess Geschwitz, Lulu, 1974
Marcellina, The Marriage of Figaro, 1973
Kate Julian, Owen Wingrave, 1973
Suzuki, Madame Butterfly, 1972
Herodias, Salome, 1972
Miss Newkirk, Help! Help! The Globolinks, 1970
Flora, La traviata, 1970
Death, Le Rossignol, 1970
Marcellina, The Marriage of Figaro, 1970
Mother Goose, The Rake’s Progress, 1970
Miss Newkirk, Help! Help! The Globolinks, 1969
Death, Le Rossignol, 1969
Third Lady, The Magic Flute, 1969
Herodias, Salome, 1969
Ninon, The Devils of Loudun, 1969
Annina, Der Rosenkavalier, 1968
Gianetta, The Elixir of Love, 1968
Flora, La traviata, 1968
Third Lady, The Magic Flute, 1968
Maddalena, Rigoletto, 1966
Thisbe, Cinderella, 1966
Prioress, Dialogues of the Carmelites, 1966
Mother Goose, The Rake’s Progress, 1966
Margret, Wozzeck, 1966
Marcellina, The Marriage of Figaro, 1965
Catherine Christensen
Soprano
Sister Constance
Catherine Christensen
Hometown: Chicago, IL
SFO Debut:
Micaela, Carmen, 1964
Santa Fe Opera Apprentice: 1961, 1962, 1963
Past Seasons:
Sister Constance, Dialogues of the Carmélites, 1966
Zerlina, Don Giovanni, 1966
Zdenka, Arabella, 1965
Podtotchina’s Daughter, The Nose, 1965
La Princesse, L’enfant et les sortilèges, 1964
Lauretta, Gianni Schicchi, 1964
First Maiden, Daphne, 1964
Cook, Le Rossignol, 1963
Child, Der Rosenkavalier, 1963
Slave, Salome, 1962
Kate, The Ballad of Baby Doe, 1962
Chambermaid, News of the Day, 1961
Dorothy Krebill
Mezzo-soprano
Mother Marie
Dorothy Krebill
Hometown: Donnellson, IA
SFO Debut:
Mother Marie, Dialogues of the Carmelites, 1966
Past Seasons:
Carmen, Carmen, 1967 (August 9 – 24)
Joan Moynagh
Soprano
Madame Lidoine
Joan Moynagh
Hometown: Worcester, MA
SFO Debut:
Despina, Così fan tutte, 1957
Past Seasons:
Donna Elvira, Don Giovanni, 1966
Madame Lidoine, Dialogues of the Carmélites, 1966
Nyad, Ariadne auf Naxos, 1957
Serpina, La serva padrona, 1957
Jennifer Chase
Mezzo-soprano
Mother Jeanne
Jennifer Chase
Hometown: Sacramento, CA
Santa Fe Opera Apprentice: 1965, 1966
Past Seasons:
Mother Jeanne, Dialogues of the Carmélites, 1966
Alexandra Grigorievna Podtotchina, The Nose, 1965
Annina, La traviata, 1965
Paula Page
Mezzo-soprano
Sister Mathilde
Paula Page
Hometown: Grenada, MS
Santa Fe Opera Apprentice: 1965, 1966
Past Seasons:
Sister Mathilde, Dialogues of the Carmélites, 1966
Page, Rigoletto, 1966
Flora, La traviata, 1965 (June 30 – July 9)
Don Jones
Tenor
The Chevalier
Don Jones
Hometown: San Antonio, TX
Santa Fe Opera Apprentice: 1965, 1966
Past Seasons:
Andres, Wozzeck, 1966
Chevalier, Dialogues of the Carmélites, 1966
Piotr Fiodorovich, The Nose, 1965
Hotel Servant, Arabella, 1965
Benjamin Rayson
Baritone
Marquis de la Force
Benjamin Rayson
Hometown: New York, NY
SFO Debut:
Germont, La traviata, 1965 (June 30 – July 9)
Past Seasons:
Scarpia, Tosca, 1966 (July 2 – August 13)
Marquis, Dialogues of the Carmélites, 1966
Sharpless, Madame Butterfly, 1965 (July 10 – 14)
David Holloway
Baritone
Thierry
David Holloway
Hometown: Gas, KS
SFO Debut:
Papageno, The Magic Flute, 1974 (July 6 – 17; August 14)
Santa Fe Opera Apprentice: 1966, 1967
Past Seasons:
Raimbeaud, Count Ory, 1978
Prince Paul, Grand Duchess of Gerolstein, 1974
Morales, Carmen, 1967
Thierry, Dialogues of the Carmelites, 1966
Leon Petrus
Baritone
M. Javelinot
Leon Petrus
Hometown: Forest City, PA
Santa Fe Opera Apprentice: 1966
Past Seasons:
Doctor, Dialogues of the Carmélites, 1966
Keeper of the Madhouse, The Rake’s Progress, 1966
Marullo, Rigoletto, 1966
Howard Fried
Tenor
1st Commissioner
Howard Fried
Hometown: New York, NY
SFO Debut:
Spoletta, Tosca, 1966 (August 13 – 25)
Past Seasons:
Monsieur Taupe, Capriccio, 1966
1st Commissioner, Dialogues of the Carmélites, 1966
Borsa, Rigoletto, 1966
Michael Riley
Bass
2nd Commissioner
Michael Riley
Hometown: Columbus, KS
Santa Fe Opera Apprentice: 1966, 1967
Past Seasons:
Ambrogio, The Barber of Seville, 1967
Count Ceprano, Rigoletto, 1966
2nd Commissioner, Dialogues of the Carmélites, 1966
Paul Franke
Tenor
Chaplain
Paul Franke
Hometown: Boston, MA
SFO Debut:
Marco Palmiere, The Gondoliers, 1960
Past Seasons:
Spoletta, Tosca, 1966 (July 2 – 16)
Chaplain, Dialogues of the Carmélites, 1966
Sellem, The Rake’s Progress, 1966
Count Elemer, Arabella, 1965
Fiorello, The Barber of Seville, 1965
Goro, Madame Butterfly, 1965
Don Basilio, The Marriage of Figaro, 1965
Police Commissioner, The Nose, 1965
Coltellino, The Stag King, 1965
Gherardo, Gianni Schicchi, 1964
Alcindoro, La bohème, 1964
La Rainette/Le Theiere, L’enfant et les sortilèges, 1964
The Prince, Lulu, 1964
Don Basilio, The Marriage of Figaro, 1964
Borsa, Rigoletto, 1964
Porcus, Joan of Arc at the Stake, 1962
Hussar, Mavra, 1962
Sellem, The Rake’s Progress, 1962
Herod, Salome, 1962
Spoletta, Tosca, 1962
Oedipus, Oedipus Rex, 1960
Sellem, The Rake’s Progress, 1960
Adib Fazah
Baritone
An Officer
Adib Fazah
Hometown: Cleveland, OH
SFO Debut:
Morales, Carmen, 1964
Santa Fe Opera Apprentice: 1960
Past Seasons:
Lilaque fils, Boulevard Solitude, 1967
Captain of the Guard, Cardillac, 1967
Schaunard, La bohème, 1967
Second Nazarene, Salome, 1967
Officer, Dialogues of the Carmélites, 1966
Masetto, Don Giovanni, 1966
Angelotti, Tosca, 1966 (July 2 – 16)
Wozzeck, Wozzeck, 1966
Rigoletto, Rigoletto, 1964 (July 1 – 17)
Schaunard, La bohème, 1964 (August 19 – 28)
L’Horloge, L’enfant et les sortilèges, 1964
Antonio, The Gondoliers, 1960
Baron Duphol, La traviata, 1960
Julian Patrick
Baritone
The Jailer
Julian Patrick
Hometown: Meridian, MS
SFO Debut:
Dandini, Cinderella, 1966 (July 6 – 9)
Past Seasons:
Faninal, Der Rosenkavalier, 1992
Jailer, Dialogues of the Carmelites, 1966
Olivier, Capriccio, 1966
Robert Baustian
Conductor
Robert Baustian
Hometown: Storm Lake, IA
SFO Debut:
The Barber of Seville, 1957
Past Seasons:
Die Jakobsleiter, 1980
Pelléas et Mélisande, 1977
The Marriage of Figaro, 1976
The Cunning Little Vixen, 1975
Così fan tutte, 1975 (July 30)
La vida breve, 1975
L’Enfant et les sortilèges, 1975
The Magic Flute, 1974
Le Rossignol, 1973
L’Enfant et les sortilèges, 1973
The Marriage of Figaro, 1973
Pelléas et Mélisande, 1972
The Marriage of Figaro, 1971
The Magic Flute, 1971
The Marriage of Figaro, 1970
Le Rossignol, 1970
Le Rossignol, 1969
The Magic Flute, 1969
Die Jakobsleiter, 1968
Perséphone, 1968
The Elixir of Love, 1968
The Magic Flute, 1968
The Marriage of Figaro, 1967
Boulevard Solitude, 1967
The Barber of Seville, 1967
Dialogues of the Carmelites, 1966
Don Giovanni, 1966
Cinderella, 1966
The Marriage of Figaro, 1965
The Stag King, 1965
Lucia di Lammermoor, 1965
The Marriage of Figaro, 1964
L’Enfant et les sortilèges, 1964
L’Enfant et les sortilèges, 1963
Joan of Arc at the Stake, 1963
Don Giovanni, 1963
Mavra, 1962
Joan of Arc at the Stake, 1962
La traviata, 1962
Così fan tutte, 1962
The Marriage of Figaro, 1961
The Ballad of Baby Doe, 1961
The Marriage of Figaro, 1960
Cinderella, 1960
The Barber of Seville, 1959
Abduction from the Seraglio, 1959
Cinderella, 1958
Falstaff, 1958
Così fan tutte, 1958
The Tower, 1957
Vera Zorina
Director and Actress
Vera Zorina
Hometown: Berlin, Germany
SFO Debut:
Perséphone, Perséphone, 1961
Past Seasons:
Director, Madame Butterfly, 1968
Perséphone, Perséphone, 1968
Director, La bohème, 1967
Director, Capriccio, 1966
Director, Dialogues of the Carmelites, 1966
Director and Choreographer, Daphne, 1964
Prince Orlovsky, Die Fledermaus, 1963
Joan of Arc, Joan of Arc at the Stake, 1963
Perséphone, Perséphone, 1962
Joan of Arc, Joan of Arc at the Stake, 1962
Lawrence Reehling
Scenic Designer
Lawrence Reehling
Hometown: Hanover, PA
SFO Debut:
Lucia di Lammermoor, 1965
Past Seasons:
The Magic Flute, 1974
The Magic Flute, 1971
The Magic Flute, 1969
The Magic Flute, 1968
The Marriage of Figaro, 1967
Boulevard Solitude, 1967
Wozzeck, 1966 (Scenic and Costume Designer)
Dialogues of the Carmelites. 1966
Don Giovanni, 1966
Cinderella, 1966 (Scenic and Costume Designer)
The Nose, 1965 (Scenic and Costume Designer)
The Stag King, 1965
Jack Edwards
Costume Designer
Jack Edwards
Hometown: Easton, PA
SFO Debut:
Madame Butterfly, 1965 (Costume Supervision)
Past Seasons:
Boulevard Solitude, 1967
La bohème, 1967
Capriccio, 1966
Dialogues of the Carmélites, 1966
Tosca, 1966
Arabella, 1965
Lucia di Lammermoor, 1965 (Costume Supervision)
Joan Larkey
Lighting Designer
Joan Larkey
Hometown: Carmel Valley, CA
SFO Debut:
Tosca, 1966
Past Seasons:
La bohème, 1967 (Scenic & Lighting Designer)
The Barber of Seville, 1967 (Scenic & Lighting Designer)
Wozzeck, 1966
Cinderella, 1966
Rigoletto, 1966
Capriccio, 1966
Don Giovanni, 1966
The Rake’s Progress,1966
Dialogues of the Carmélites, 1966
R. Whitman Procter
Chorus Master
R. Whitman Procter
SFO Debut:
Tosca, 1966
Past Seasons:
Cinderella, 1966
Don Giovanni, 1966
Dialogues of the Carmélites, 1966
The Rake’s Progress, 1966
Capriccio, 1966
Rigoletto, 1966
Wozzeck, 1966
Dialogues of the Carmélites 1966
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