Countess Maritza 1995
Waltz your troubles away…
…at this delightful evening of sophisticated fun where troubles are few and life seems easygoing and a bit more romantic. A smash success at its Vienna premiere, Countess Maritza triumphed on Broadway and in every operetta theatre around the world, creating a craze for Hungarian music and culture in the 1920s.
Synopsis
Act I
Countess Maritza, a beautiful young aristocrat with homes throughout the Balkan Lands, spent a good deal of time as a girl at this estate but has not visited it for a long time. A steward hired to manage this estate, Bela Törek, is none other than the recently impoverished Count Tassilo Endrödy-Wittenburg, forced to sell his possessions to pay his deceased father’s debts.
The gypsy girl Manja sings about the fickleness of fate while the old servant Tschekko predicts Countess Maritza will return one day. Several children present Tassilo with simple gifts, tokens of their parent’s appreciation for his kindness. Baron Karl-Stephan Liebenberg arrives to see the “steward.” Tassilo urges his friend to respect his incognito; Karl-Stephan reports that he has sold Tassilo’s possessions and paid his debts. Tassilo will continue this work until his sister, Lisa, who knows nothing of their poverty or his disguise, has a proper dowry. He confesses he sometimes misses his friends, and asks Karl-Stephan to say hello to romantic old Vienna.
Prince Moritz Dragomir Popolescu, a friend of the Countess, announces Maritza’s return to celebrate her recent engagement. She is greeted with a song, toasting her with “Tokay,” a lusty Hungarian wine. Maritza answers with a czardas describing her yearning to experience happiness in love.
Maritza thanks Popolescu for preparing the engagement celebration; unfortunately, her fiancé is unable to join them. Tassilo introduces himself as Bela Torek, the manager of her estate; she treats him condescendingly. He discovers that Maritza knows his sister Lisa and that she is a member of the entourage.
Lisa innocently seeks out Mr. Torek. Finding this “steward” is none other than her brother Tassilo, she assumes he is in love and is here to make a conquest. Tassilo explains his disguise as a bet with friends but can say no more; Lisa promises to keep his secret.
Maritza confesses to her friend Ilka that she is not engaged. When pressed by reporters, she told them she was going to marry Baron Koloman Zsupan, a character from the operetta The Gypsy Baron – which she happened to see that night at the Opera. She hoped this would discourage those merely after her money. Baron Koloman Zsupan is announced! He read of his “engagement” in the newspaper and rushed off to meet his betrothed – with whom he is immediately taken. Maritza suggests there is some mistake but Zsupan claims he is the last of his lineage and promises they will be king and queen of his estate in Varasdin.
While the engagement celebration begins inside, Tassilo remains alone on the terrace and sings of when he was a fine czardas cavalier. Maritza and her guests overhear and she asks him to sing it again. When he refuses, she dismisses him from her employment.
Zsupan and Popolescu propose that the entire party go to the tavern. As they prepare to leave, Manja predicts that within four weeks Maritza will fall in love with a handsome man of noble descent. Moved by these words, Maritza decides to remain, and her company departs without her. Tassilo enters to take his leave. Maritza revokes her dismissal and offers him her friendship.
Act II
Four weeks later.
Maritza and Tassilo have come to enjoy each other’s company. Several of her girlfriends have returned to the estate. They find Tassilo attractive and devise distractions to keep him from his duties. When Maritza suggests Tassilo escort the ladies to supper in the summerhouse, they are delighted.
Lisa has fallen in love with the dashing Baron Zsupan. When he arrives seeking Maritza, Lisa flies into a rage and bursts into tears. Unaware of her feelings for him, Zsupan berates the young man who is causing her such pain; if it weren’t for his engagement to Maritza, he would spend each and every night dreaming of her. Lisa hints at similar feelings for him.
Tassilo wishes to discuss business with Maritza, but has trouble concentrating when he sees her dressed so beautifully for the party. Maritza finds financial affairs boring and wants Tassilo to entertain her. They dance, encouraging each other to waltz their worries away. Zsupan rushes in to tell Maritza he cannot marry her; his grandfather’s will stipulates he must marry a poor girl or risk losing his fortune. Maritza is relieved. Popolescu arrives with the Cabaret troupe – if Maritza will not go to them, they will come to Maritza!
The scene is magically changed to a cabaret with Maritza’s friends at tables, waiters serving champagne, cabaret girls dancing and squealing with delight. Dancers entertain the guests and even Lisa contributes a song. Popolescu and Zsupan begin to feel the effects of the champagne and flirt with the cabaret girls. All have a great time!
Popolescu and her guests ask Maritza if, according to the prophecy of the gypsy girl, she has fallen in love. She tells them with affection that it is none of their business. Tassilo enters and is treated with scorn by Popolescu and some of the guests. Outraged at their behavior, he impulsively begins a letter to Baron Karl-Stephan complaining of their rudeness.
Maritza asks why he has not joined them; he politely confesses that he is uneasy with her friends. Maritza understands and feels closer to him than ever. Asked what he would say if they were of the same social standing, he takes her into his arms and whispers, “I love you!” Maritza abandons herself to his embrace and they leave together.
Zsupan realizes he loves Lisa, not Maritza. Lisa, still angry, will not respond to this newly-declared love.
Popolescu hints to Maritza that Bela Törek may actually be an impoverished aristocrat in disguise; he tells her that he saw him kiss Lisa. Maritza discovers Tassilo’s unfinished letter and begins to read it. She misconstrues a sentence that Tassilo has written: “I will not rest until I have reached my goal – a dowry and a better future …” She is convinced Tassilo is writing about himself and is only after her money. Bitter and deceived, she treats Tassilo with contempt, angrily handing him a large sum of money which he hurls at the feet of her guests.
When Lisa attempts to stop Tassilo’s outburst, he calls her “Little Sister” and the two exit hand in hand. The guests are stunned: Lisa is Tassilo’s sister! Maritza can hardly believe her happiness for she now knows that Tassilo truly loves her.
Act III
The next morning.
Popolescu and Zsupan are sleeping in the summer-house, hung over from the party. Maritza enters dressed in a folk costume and tells them she must now run the estate since she has lost her steward. Tassilo comes to take his leave and asks for a letter of reference. She tries to entice him out of his reserve, but both are too proud to speak openly.
From out of nowhere appear Tassilo’s aunt, Princess Bozena Cuddenstein and her old servant, Penizek. She explains to Tassilo that a very wealthy Texan offered her a tremendous fortune for her land – it seems there were millions of barrels of oil on her property. When she learned of Tassilo’s misfortunes, she bought back all of his properties. All is well again! She informs him that she has arranged for his marriage to a wealthy noblewoman – Princess Ruzena Wittgenstein. Penizek produces a photograph of an extremely tall and very homely woman dressed in black. Tassilo explains that his heart belongs to another, and rushes off to tell Lisa the good news.
The Princess sends Penizek off to discover what he can about Countess Maritza from her servants. Entering in mid-discussion, Lisa explains to Zsupan that she is off to seek employment since she hasn’t got a penny. Zsupan is thrilled – he can propose a marriage to Lisa because she has no money, and the terms of his grandfather’s will shall be honored! Lisa accepts wholeheartedly.
The Princess learns that Tassilo and Maritza are in love but too proud and stubborn to resolve their differences. She arranges for Maritza to don a disguise and tells Tassilo that he must explain in person to Princess Ruzena that he is not available for marriage. Tassilo approaches the figure in black and apologizes for the unfortunate misunderstanding. The mysterious figure reveals herself to be Maritza and the lovers embrace. Lisa and Zsupan arrive announcing their engagement, and the whole company joins in the festivities.
Artists
Gwynne Geyer
Soprano
Countess Maritza
Gwynne Geyer
Hometown: Boyertown, PA
SFO Debut:
Countess Maritza, Countess Maritza, 1995
Kevin Anderson
Tenor
Count Tassilo
Kevin Anderson
Hometown: Moline, IL
SFO Debut:
Count Tassilo, Countess Maritza, 1995
Santa Fe Opera Apprentice: 1982
Past Seasons:
Count Tassilo, Countess Maritza, 1999
Constance Hauman
Soprano
Lisa
Constance Hauman
Hometown: Ann Arbor, MI
SFO Debut:
Zerbinetta, Ariadne auf Naxos, 1990
Santa Fe Opera Apprentice: 1983, 1984
Past Seasons:
Lisa, Countess Maritza, 1999
Lisa, Countess Maritza, 1995
Adele, Die Fledermaus, 1992
Marie, Intermezzo, 1984
Young Lady 1/Young Girl 1/Victim 1, We Come to the River, 1984
Ann Panagulias
Soprano
Manja
Ann Panagulias
Hometown: Pittsburgh, PA
SFO Debut:
Zerlina, Don Giovanni, 1992
Past Seasons:
Manja, Countess Maritza, 1995
Effie Gray, Modern Painters, 1995
Musetta, La bohème, 1993
Catherine, The Protagonist, 1993
Lisa/Society Lady/Citizen, The Sorrows of Young Werther, 1992
François Loup
Bass-baritone
Tschekko
François Loup
Hometown: Estavayer-le-Lac, Switzerland
SFO Debut:
Doctor Bartolo, The Marriage of Figaro, 1991
Past Seasons:
Tschekko, Countess Maritza, 1995
Fifth Jew, Salome, 1995
Sacristan, Tosca, 1994
Doctor Bartolo, The Barber of Seville, 1994
Benoit/Alcindoro, La bohème, 1993
Major Domo, Capriccio, 1993
Vanuzzi, Die schweigsame Frau, 1991
Timothy Nolen
Baritone
Popolescu
Timothy Nolen
Hometown: Rotan, TX
SFO Debut:
Löwel Perl, The Black Mask, 1988
Past Seasons:
Mr. Flint, Billy Budd, 2008
Benoit, La bohème, 2007
Somarone, Beatrice and Benedict, 2004
Agamemnon, La belle Hélène, 2003
The Notary, Intermezzo, 2003
Taddeo, The Italian Girl in Algiers, 2002
Popolescu, Countess Maritza, 1999
Major Domo, Ariadne auf Naxos, 1999
Somarone, Beatrice and Benedict, 1998
Don Alfonso, Così fan tutte, 1997
Popolescu, Countess Maritza, 1995
Frank, Die Fledermaus, 1992
Mr. Peachum, The Beggar’s Opera, 1992
Kenn Chester
Tenor
Baron Kolomon Zsupan
Kenn Chester
Hometown: Burlington, NC
SFO Debut:
Baron Zsupan, Countess Maritza, 1995
Santa Fe Opera Apprentice: 1990, 1991
Past Seasons:
Courier, La fanciulla del West, 1995
Fourth Jew, Salome, 1995
Courier, La fanciulla del West, 1991
Gastone, La traviata, 1991
Scaramuccio, Ariadne auf Naxos, 1990
Judith Christin
Mezzo-soprano
Princess Bozena Cuddenstein zu Chlumetz
Judith Christin
Hometown: Providence, RI
SFO Debut:
Marcellina, The Marriage of Figaro, 1982
Past Seasons:
Duchess of Krakenthorp, Daughter of the Regiment, 2015
Mrs. Herring, Albert Herring, 2010
Mrs. Sedley, Peter Grimes, 2005
Larina, Eugene Onegin, 2002 (June 28 -July 19)
Meg Page, Falstaff, 2001
Margret, Wozzeck, 2001
Marcellina, The Marriage of Figaro, 2000 (August 1 – 25)
Princess Bozena Cuddenstein zu Chlumetz, Countess Maritza, 1999
Mother Marie of the Incarnation, Dialogues of the Carmelites, 1999
Stage Door Keeper, A Dream Play, 1998
Suzuki, Madame Butterfly, 1998
Adelaide von Waldner, Arabella, 1997
Despina, Così fan tutte, 1997
Suzuki, Madame Butterfly, 1996
Baba the Turk, The Rake’s Progress, 1996
Princess Bozena Cuddenstein zu Chlumetz, Countess Maritza, 1995
Mrs. Gray, Modern Painters, 1995
Berta, The Barber of Seville, 1994
Fanny, Intermezzo, 1994
Second Lady, The Magic Flute, 1993
Third Player, The Protagonist, 1993
Despina, Così fan tutte, 1990
Mirza, Judith, 1990
Mrs. Chin/Housekeeper, A Night at the Chinese Opera, 1989
La Baronne, Chérubin, 1989
Despina, Così fan tutte, 1988
Rosa Sacchi, The Black Mask, 1988
Suzuki, Madame Butterfly, 1987
Carlotta, Die schweigsame Frau, 1987
Alkmene, Die Liebe Der Danae, 1985
Junon, Orpheus in the Underworld, 1985
Fidalma, Il matrimonio segreto, 1984
Second Lady, The Magic Flute, 1984
Junon, Orpheus in the Underworld, 1983
Mrs. Grose, The Turn of the Screw, 1983
Alkmene, Die Liebe Der Danae, 1982
Grant Neale
Actor
Penizek
Grant Neale
Hometown: New Baltimore, MI
SFO Debut:
Penizek, Countess Maritza, 1995
Past Seasons:
Lillas Pastia, Carmen, 2014
Penizek, Countess Maritza, 1999
Oziel Garza-Ornelas
Baritone
Berko
Oziel Garza-Ornelas
Hometown: Monterrey, Mexico
SFO Debut:
Enrico, Lucia di Lammermoor, 2001
Santa Fe Opera Apprentice: 1994, 1995
Past Seasons:
Berko, Countess Maritza, 1995
José Castro, La fanciulla del West, 1995
Michael Daniels
Baritone
Karl-Stephan Liebenberg
Michael Daniels
Hometown: California
Santa Fe Opera Apprentice: 1995
Past Seasons:
Karl-Stephan Liebenberg, Countess Maritza, 1995
Artist, Modern Painters, 1995
Sara Seglem
Soprano
Ilka
Sara Seglem
Hometown: March Air Force Base, CA
SFO Debut:
Second Element, Ashoka’s Dream, 1997
Santa Fe Opera Apprentice: 1993, 1994, 1995
Past Seasons:
Ilka, Countess Maritza, 1995
Therese, Intermezzo, 1994
John Crosby
Conductor
John Crosby
Hometown: New York, NY
SFO Debut:
Madame Butterfly, 1957
Past Seasons:
La traviata, 2002
The Egyptian Helen, 2001
Elektra, 2000
Countess Maritza, 1999
Ariadne auf Naxos, 1999
Madame Butterfly, 1998
Salome, 1998
La traviata, 1997
Arabella, 1997
Madame Butterfly, 1996
Daphne, 1996
Countess Maritza, 1995
Salome, 1995
Tosca, 1994 (July 1 – 15)
Intermezzo, 1994
La bohème, 1993 (July 2 – 16)
Capriccio, 1993
Die Fledermaus, 1992
Der Rosenkavalier, 1992
La traviata, 1991 (June 28 – July 6)
Die schweigsame Frau, 1991
La bohème, 1990
Ariadne auf Naxos, 1990
La traviata, 1989 (June 30 – July 12)
Der Rosenkavalier, 1989
Die Fledermaus, 1988
Feuersnot, 1988
Friedenstag, 1988
Madame Butterfly, 1987
Die schweigsame Frau, 1987
Die Fledermaus, 1986
The Egyptian Helen, 1986
Orpheus in the Underworld, 1985
Die Liebe der Danae, 1985
A Florentine Tragedy, 1984
Violanta, 1984
Intermezzo, 1984
Orpheus in the Underworld, 1983
Arabella, 1983
Die Fledermaus, 1982
Die Liebe der Danae, 1982
La bohème, 1981
Daphne, 1981
La traviata, 1980
Elektra, 1980
The Grand Duchesse of Gerolstein, 1979
Lucia di Lammermoor, 1979
Salome, 1979
Tosca, 1978
Salome, 1978
The Italian Straw Hat, 1977
Fedora, 1977
La traviata, 1976
Salome, 1976
Carmen, 1975
La bohème, 1974
The Grand Duchesse of Gerolstein, 1974
La bohème, 1973
The Merry Widow, 1973
The Grand Duchesse of Gerolstein, 1972
Madame Butterfly, 1972
Salome, 1972
Don Carlo, 1971
The Grand Duchesse of Gerolstein, 1971
La traviata, 1970
Anna Bolena, 1970
Tosca, 1969
Salome, 1969
Madame Butterfly, 1968
La traviata, 1968
Der Rosenkavalier, 1968
Carmen, 1967
La bohème, 1967
Tosca, 1966
Capriccio, 1966
Rigoletto, 1966
La traviata, 1965
Madame Butterfly, 1965
Arabella, 1965
Rigoletto, 1964
Daphne, 1964
La bohème, 1964 (August 22 & 28)
Die Fledermaus, 1963
Madame Butterfly, 1963
Der Rosenkavalier, 1963
Salome, 1962
Oedipus Rex, 1962 (and Director)
Perséphone, 1962
Tosca, 1962
Der Rosenkavalier, 1961
La bohème, 1961
The Gondoliers, 1960
Tosca, 1960
Die Fledermaus, 1959
Madame Butterfly, 1959
La bohème, 1958
Wuthering Heights, 1958
Capriccio, 1958
Lou Galterio
Director
Lou Galterio
Hometown: New York, NY
SFO Debut:
The Italian Straw Hat, 1977
Past Seasons:
Don Giovanni, 1996 (Production)
Countess Maritza, 1995
Don Giovanni, 1992
The Nose, 1987
Die Fledermaus, 1982
The Barber of Seville, 1981
News of the Day, 1981
Maxine Willi Klein
Scenic Designer
Maxine Willi Klein
Hometown: New York, NY
SFO Debut:
Erwartung/Von Heute auf Morgen, 1980 (Scenic & Costume Designer)
Past Seasons:
Countess Maritza, 1999
Countess Maritza, 1995
News of the Day, 1981
Dona Granata
Costume Designer
Dona Granata
Hometown: New York, NY
SFO Debut:
The Italian Straw Hat, 1977
Past Seasons:
Countess Maritza, 1999
Countess Maritza, 1995
Die Fledermaus, 1982
The Duchess of Malfi, 1978
Tosca, 1978
Fedora, 1977
Michael Lincoln
Lighting Designer
Michael Lincoln
Hometown: Alliance, NE
SFO Debut:
Countess Maritza, 1995
Daniel Pelzig
Choreographer
Daniel Pelzig
Hometown: New York, NY
SFO Debut:
Capriccio, 1993
Past Seasons:
Countess Maritza, 1999
Ariadne auf Naxos, 1999
Countess Maritza, 1995
La fanciulla del West, 1995
Salome, 1995
Modern Painters, 1995
The Protagonist, 1993
The Tsar Has His Photograph Taken, 1993
Gary Wedow
Chorus Master
Gary Wedow
Hometown: La Porte, IN
SFO Debut:
1983 Season
Past Seasons:
1998 Season
1997 Season
1996 Season
1995 Season
1994 Season
1993 Season
1992 Season
1991 Season
1990 Season
1989 Season
1988 Season
1987 Season
1986 Season
1985 Season
1984 Season
Countess Maritza 1995
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