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Così fan tutte 2019

Così fan tutte 2019

July 13 - August 22, 2019

The More You Know…

Mozart’s and Da Ponte’s final collaboration has delighted, confounded and rewarded viewers ever since its 1790 premiere in Vienna. Their “School for Lovers” sports a highly experienced faculty and a progressive curriculum — required reading and written papers have all been replaced by experiential learning. There’s a devil of a final exam, though, especially for two young couples about to be married. It’s a lab project in which they dissect the question, “Are you in love, or in love with the idea of love?” They’re also required to work in pairs, and they soon discover that being engaged to someone special doesn’t preclude being especially attracted to someone else.

Mesmerizingly beautiful music and a profound understanding of the heart illuminate this all-too-human situation in which we can see ourselves onstage to our discomfort and our delight.

Santa Fe Opera Music Director Harry Bicket and director R.B. Schlather lead this new production.  Join our young lovers in their magnetic journey to understanding life and love.

Music By
Wolfgang Amadeus Mozart
Libretto By
Lorenzo da Ponte
Sung In
Italian

Synopsis

Act I

Don Alfonso quarrels with soldiers Ferrando and Guglielmo over the faithfulness of their fiancées, Dorabella and Fiordiligi, respectively. To defend the honor of their women, Ferrando and Guglielmo challenge Donalfonso to combat. In lieu of fighting, Don alfonso offers the gentlemen a wager, contending that he can prove Dorabella’s and Fiordiligi’s inconstancy by the day’s end. The soldiers agree to the wager.

The sisters Fiordiligi and Dorabella muse on the perfection of their lovers. Don alfonso arrives to inform them that Ferrando and Guglielmo have been called to the battlefield and must leave immediately. Ferrando and Guglielmo arrive to say goodbye to the sisters. Before they depart, all four lovers swear eternal fidelity.

The sisters are devastated by their lovers’ departure. Their maid, Despina, instructs them not to despair, as men are expendable. She further explains that it is futile to expect fidelity from men and much wiser to treat them with equal faithlessness.

Don Alfonso worries that Despina will discover and reveal his plot, so he bribes her into helping him redirect the sisters’ affections to two “new suitors.” These new suitors — Guglielmo and Ferrando in disguise — immediately attempt to woo the sisters. Failing to recognize them, Fiordiligi and Dorabella flee their advances. Ferrando and Guglielmo mock Don alfonso on his odds of winning the bet. Don alfonso appeals to Despina for help, and she assures him that the suitors will eventually win the sisters over.

Under Don Alfonso’s instruction, Ferrando and Guglielmo, still in disguise, confront the sisters and threaten to poison themselves if their love continues to be unrequited. They drink the “poison” and “collapse.” The sisters summon Despina, who implores them to give the “dying” men some comfort while she fetches a doctor. The “doctor,” Despina in disguise, arrives and treats the gentlemen with a magical implement. The men “revive” and beg for kisses from Fiordiligi and Dorabella. The sisters exit in a flurry of refusals.

Act II

Despina tries to persuade Fiordiligi and Dorabella that accepting the attention they are receiving from the new suitors is in their best interest. The sisters decide there is no harm in amusing themselves by entertaining the “strangers.” Dorabella selects Guglielmo, and Fiordiligi chooses to flirt with Ferrando.

Again under Don Alfonso’s instruction, the men arrange a serenade forthe sisters. Ferrando and Fiordiligi go off for a walk, leaving Guglielmo alone with Dorabella. Guglielmo convinces Dorabella to gift him the locket she wears containing Ferrando’s likeness in exchange for a token of his love. Fiordiligi and Ferrando return, and she continues to reject his advances. Once Ferrando leaves, Fiordiligi asks forgiveness from her distant lover for desiring someone else. Ferrando and Guglielmo confer over the status of their bet, and Guglielmo reveals to Ferrando that Dorabella gave him his portrait. Ferrando then vows to win Fiordiligi.

Dorabella relays her success with her new suitor, as well as her new philosophy on love, to Despina and Fiordiligi. Fiordiligi reacts with disbelief. she decides to disguise herself as a soldier and join Guglielmo on the battlefield, hoping her sister will follow. She is stopped, however, by a “lovesick” Ferrando, still in disguise. Fiordiligi finally confesses her love to him and the two agree to marry. During the double wedding ceremony they share with Dorabella and the disguised Guglielmo, the couples undergo a final test of love, resolution and forgiveness as the fateful wager is won and lost.

Artists

Amanda Majeski headshot

Amanda Majeski

Soprano

Fiordiligi

Emily D'Angelo headshot

Emily D'Angelo

Mezzo-soprano

Dorabella

Tracy Dahl, C.M. headshot

Tracy Dahl, C.M.

Soprano

Despina

Ben Bliss headshot

Ben Bliss

Tenor

Ferrando

Jarrett Ott headshot

Jarrett Ott

Baritone

Guglielmo

Rod Gilfry headshot

Rod Gilfry

Baritone

Don Alfonso

Dale Travis headshot

Dale Travis

Bass-baritone

Don Alfonso (July 17)

Harry Bicket

Harry Bicket

Conductor

R.B. Schlather headshot

R.B. Schlather

Director

Paul Tate dePoo III headshot

Paul Tate dePoo III

Scenic Designer

Terese Wadden headshot

Terese Wadden

Costume Designer

JAX Messenger headshot

JAX Messenger

Lighting Designer

Susanne Sheston headshot

Susanne Sheston

Chorus Director