
Così fan tutte 1975
Mozart’s enchanting comedy…
…translates “Women are like that”…
Synopsis
Act I
Ferrando and Guglielmo defend their ladies, the sisters Dorabella and Fiordiligi, against an attack on the ideal of women’s constancy by Don Alfonso. A wager of a hundred sovereigns is made, and Don Alfonso promises to prove the inconstancy of women, including the sisters, if the two young men will put themselves unreservedly in his hands for twenty-four hours. They promise to do so, and amuse themselves by planning how to spend the money they are certain to win.
The scene changes and the sisters are discovered in sentimental raptures over the miniature portraits of their lovers. Their daydreaming is interrupted by Don Alfonso, who has sad news: Ferrando and Guglielmo have been called to war and must leave immediately. The young men enter, say their farewells, and march off to battle.
Disconsolate, the ladies are served breakfast by their maid, Despina. When Dorabella gives vent to her unhappiness, Despina advises another line: lovers’ absences are time for sport, not sadness. Disgusted, the sisters go out, and Don Alfonso enters to enlist the support of the resourceful Despina. The two young men appear in disguise as exotic foreigners and Despina and Alfonso conspire to have them win the affections of the ladies. The sisters are indignant at finding two strange men in their house, but Don Alfonso enters and pretends to recognize the imposters as old friends. He urges the sisters to be kind to the visitors. Fiordiligi makes it quite clear that their protestations of love are unwelcome, but the men persist until the ladies flee the room. Guglielmo and Ferrando are sure they have won their bet, but Don Alfonso reminds them of their promise to give him
twenty-four hours to prove his point.
The ladies are in the garden when suddenly the strangers rush in with poison which Alfonso is unable to prevent their drinking. As the men sink into a coma, a doctor is hastily summoned. The doctor (Despina in disguise) employs the latest medical devices and restores the youths to health. Ferrando and Guglielmo, thus restored, imagine that they are already in the Elysian Fields and demand a kiss from the Goddesses. This is vehemently denied them as the act ends.
Artists

Ellen Shade
Soprano
Fioriligi

Janice Felty
Mezzo-soprano
Dorabella (July 12 - 30)

Maria Ewing
Mezzo-soprano
Dorabella (August 9 - 22)

John Walker
Tenor
Ferrando

William Parker
Baritone
Guglielmo (July 12 - 30)

Brent Ellis
Baritone
Guglielmo (August 9 - 22)

William Dooley
Bass-baritone
Don Alfonso

Joanna Bruno
Soprano
Despina

John Mauceri
Conductor
(July 12 - 19; August 9 - 22)

Robert Baustian
Conductor
(July 30)

Richard Pearlman
Director

Lare Schultz
Scenic & Costume Designer

Georg Schreiber
Lighting Designer